Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Demasiado tarde is a Tango written by Agustín Horacio Delamónica and composed by Francisco Troppoli.
“Demasiado tarde,” which translates to “Too Late” in English, tells the poignant story of remorse and lost opportunities. The narrator returns to a familiar setting, unchanged except for his own transformation wrought by pain and disillusionment. He confronts the emotional distance of a significant other, whose cold indifference exacerbates his torment. The lyrics reflect a profound realization of the suffering his absence has caused, acknowledging that his return has come too late to offer consolation or to receive forgiveness.
The tango is rich with symbolic elements that enhance its emotional depth. References to the “mismo patio” and “mismo sol” symbolize unchanging external circumstances, contrasting sharply with the internal changes within the protagonist. The ivy, or “hiedra,” that grew in his absence represents hope still alive, yet unfulfilled. This plant, thriving yet potentially suffocating, mirrors his own enduring yet painful emotional state. The heart, describing as “desangrándose al sufrir” (bleeding in suffering), further underscores the theme of profound heartache and regret.
Written and recorded in Argentina in 1945, “Demasiado tarde” emerges from a period marked by significant social and political changes in the country. The mid-20th century was a time of turbulence but also of cultural flourish in Argentina, particularly in Buenos Aires, where tango was experiencing a golden age. It was also a time reflecting the aftermath of World War II, a global event that influenced themes of loss, return, and the irrevocable changes these experiences bring about. The tango, thus, resonates not only with personal grief and regret but also potentially reflects the broader post-war sentiments of loss and the yearning for reconciliation.
Agustín Horacio Delamónica was a notable lyricist in the Argentine tango scene, whose works often delved into themes of love, loss, and existential sorrow.