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Del barrio de las latas

Del barrio de las latas is a Tango written by Raúl De los Hoyos and recorded by Carlos di Sarli in 1954. The Tango Del barrio de las latas is written by Raúl De los Hoyos, Carlos di Sarli has recorded Del barrio de las latas with the singer Mario Pomar.
“Del barrio de las latas,” translated as “From the Neighborhood of the Cans,” evokes images of a place marked by resilience and resourcefulness. It tells a story of a vibrant community built from humble materials, where life’s challenges are met with rhythm and tenacity. Within its melodies, the spirit of the people dances, celebrating their strength and unity against all odds.

Tango

Style

Carlos di Sarli

Orchestra

Mario Pomar

Singer

Emilio Fresedo

Author

Raúl De los Hoyos

Composer

1954/4/21

Date

Mario Pomar
Mario Pomar
Carlos di Sarli
Carlos di Sarli

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Francini-Pontier – Tengo un amigo – 1954/1/15
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Del barrio de las latas recorded by other Orchestras

Del barrio de las latas recorded by other Orchestras

1954/4/21 – El choclo – Carlos di Sarli
1954/4/21 – Una fija – Carlos di Sarli
1954/4/21 – Buenos Aires yo te canto – Carlos di Sarli
1954/4/21 – Soy una fiera – Alfredo De Angelis
1954/4/21 – Un kilo de tango – Alfredo De Angelis
Del barrio de las latas – 1954/4/21 – Carlos di Sarli – Mario Pomar
Del barrio de las latas – 1968/8/5 – Cuarteto Anibal TROILO – Instrumental

Lyrics Translation of the Tango Del barrio de las latas

This is the translation of the Tango “Del barrio de las latas” from Spanish to English. The English lyrics of the Tango “Del barrio de las latas” have been done with AI.

Letra del Tango Del barrio de las latas

Del barrio de las latas
se vino pa’ Corrientes
con un par de alpargatas
y pilchas indecentes.
La suerte tan mistonga
un tiempo lo trató,
hasta que al fin, un día,
Beltrán se acomodó.

Y hoy lo vemos por las calles
de Corrientes y Esmeralda,
estribando unas polainas
que dan mucho dique al pantalón.
No se acuerda que en Boedo
arreglaba cancha’e bochas,
ni de aquella vieja chocha,
por él, que mil veces lo ayudó.

Y allá, de tarde en tarde,
haciendo comentarios,
las viejas, con los chismes
revuelven todo el barrio.
Y dicen en voz baja,
al verlo un gran señor:
“¿Tal vez algún descuido
que el mozo aprovechó?”

Pero yo que sé la historia
de la vida del muchacho,
que del barrio de los tachos
llegó por su pinta hasta el salón,
aseguro que fue un lance
que quebró su mala racha,
una vieja muy ricacha
con quien el muchacho se casó.

English lyrics of the Tango "Del barrio de las latas"

From the neighborhood of shacks
he came to Corrientes
with a pair of sandals
and indecent clothes.
Luck was so elusive
for a while it treated him unfairly,
until at last, one day,
Beltrán found his place.

And today we see him on the streets
at Corrientes and Esmeralda,
sporting some spats
that give much flair to his pants.
He doesn’t remember in Boedo
fixing the bocce court,
nor that old woman, delighted,
who helped him a thousand times.

And there, now and then,
making comments,
the old women with gossip
stir up the whole neighborhood.
And they whisper,
seeing him as a great gentleman:
“Perhaps some oversight
that the young man exploited?”

But I know the story
of this young man’s life,
who from the neighborhood of trash
made his way to the salon by his looks,
I assure you it was a chance
that broke his bad streak,
a very wealthy old woman
with whom the young man married.

Del barrio de las latas by Raúl De los Hoyos

Del barrio de las latas is a Tango written by and composed by Raúl De los Hoyos.

Story behind the Tango Del barrio de las latas

The tango “Del barrio de las latas” narrates the transformation of a young man named Beltrán who climbs the social ladder from humble beginnings to a more affluent lifestyle. He departs from the impoverished barrio with nothing more than simple shoes and worn-out clothing and finds himself on the well-to-do streets of Buenos Aires, specifically Corrientes and Esmeralda. Eventually, his luck turns, and he becomes a well-dressed figure in the city’s social scene, all thanks to a strategic marriage to a wealthy older woman. The narrative conveys themes of ambition, social mobility, and perhaps a touch of opportunism, reflecting the dreams and realities of many living in Argentine society during this era.

Symbolism of Del barrio de las latas

The lyrics are rich in symbolism, representing social change and the duality of success. The phrase “del barrio de las latas” symbolizes the protagonist’s destitute origins, suggesting a place of poverty and lack of opportunities. “Alpargatas y pilchas indecentes” underscore his humble beginnings and lack of resources. The streets “Corrientes y Esmeralda” symbolize his successful transition into an affluent area. The mention of “polainas que dan mucho dique al pantalón” signifies the superficiality of his new status and the shift in his lifestyle. These linguistic choices emphasize the tango as a reflection of societal shifts and personal reinvention.

Del barrio de las latas in historic Context

Written in the mid-20th century Argentina, “Del barrio de las latas” captures the spirit of Buenos Aires during a time of social and economic transformation. In 1954, Argentina was under the influence of mass migration to urban centers, especially Buenos Aires, as people sought better opportunities. This environment set the stage for stories like Beltrán’s, where humble beginnings could lead to social ascension. The tango’s setting on streets like Corrientes and Esmeralda offers a historical backdrop, emphasizing the cultural and economic disparities between different parts of the city. “Boedo,” mentioned in the narrative, is known for its working-class culture, contrasting with the more affluent neighborhoods.

The Author Raúl De los Hoyos

Raúl De los Hoyos was a prominent Argentine composer known for his contributions to the tango genre, capturing the essence of Buenos Aires through his music.