Fabrice Knecht Tango DJ

De rompe y raja

De rompe y raja is a Tango written by Julio De Caro and recorded by Julio De Caro in 1949. Julio De Caro has recorded De rompe y raja as an instrumental Tango.
“De rompe y raja,” which translates to “Break and Slash” in English, evokes a vivid intensity that ignites the dance floor with passion and flair. This piece embodies a fierce yet graceful interplay, where each note and step resonates with spirited determination. The music’s rhythm urges the listener to embrace life’s vibrant energy, celebrating resilience and exuberance.

Tango

Style

Julio De Caro

Orchestra

Instrumental

Singer

Author

Julio De Caro

Composer

1949/10/19

Date

Instrumental
Instrumental
Julio De Caro
Julio De Caro

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Horacio Salgán – El motivo (Pobre paica) – 1965/1/1
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Juan D’Arienzo – Soy ladrón de tu corazón – 1962/9/10
Juan D’Arienzo – Tabú – 1943/7/13
Juan D’Arienzo – Media noche – 1928/1/1
Juan D’Arienzo – Un trabajo flor y flor – 1966/11/10
Juan D’Arienzo – Te espero en Rodriguez Peña – 1946/3/6
Francisco Rotundo – Tras cartón – 1951/12/10
Francisco Rotundo – Bien pulenta – 1950/12/29
Francisco Rotundo – Siempre tu voz – 1955/5/2
Francisco Rotundo – Resignate hermano – 1952/5/19
Francisco Rotundo – Serenata de candombes – 1948/12/14

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

De rompe y raja recorded by other Orchestras

De rompe y raja recorded by other Orchestras

1949/10/19 – Mala junta – Julio De Caro
1949/10/20 – La viajera perdida – Anibal Troilo
1949/10/20 – Mirinaque – Anibal Troilo
1949/10/14 – Misa de once – Alfredo De Angelis
1949/10/14 – Pequena – Alfredo De Angelis
De rompe y raja – 1930/1/1 – Julio De Caro – Instrumental
De rompe y raja – 1949/10/19 – Julio De Caro – Instrumental

De rompe y raja recorded by Julio De Caro


De rompe y raja is an instrumental Tango composed by Julio De Caro.



Interpretation of De rompe y raja


The phrase “De rompe y raja” can be loosely translated to English as “with break and rift” or “with great intensity.” These words suggest a forceful, lively, and perhaps even rebellious or daring nature, which is perfectly suited to the fervent spirit of tango music. In an instrumental interpretation by Julio De Caro’s orchestra, the piece might open with brisk, percussive staccato notes that signify a sudden break, instantly capturing the listener’s attention.



As the composition progresses, the strings of the orchestra could weave a passionate melody, interspersed with dynamic accentuations, echoing the idea of “raja” or rift that hints at deeper emotions and intense interplay of instruments. The performance likely showcases a blend of dramatic pauses and vibrant crescendos, encapsulating the fiery essence of tango while demonstrating the technical prowess and creativity that De Caro’s orchestra was renowned for.



Julio De Caro and De rompe y raja


Julio De Caro, a seminal figure in the history of tango, recorded “De rompe y raja” with his orchestra on October 19, 1949. Known for his innovative and expressive approach, De Caro brought a blend of classical influences and modern tango rhythms to his music. “De rompe y raja” likely stands as a testament to his ability to marry vigorous energy with sophisticated musical techniques, making it a compelling piece in his repertoire and a vivid representation of the tango genre.