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Chunga que no, chunga que si

Chunga que no, chunga que si is a Milonga written by Eusebio Severo Giorno and recorded by Enrique Rodríguez in 1941. The Milonga Chunga que no, chunga que si is written by Eusebio Severo Giorno, Enrique Rodríguez has recorded Chunga que no, chunga que si with the singer Armando Moreno.
The piece “Chunga que no, chunga que si” translates to “Trouble, no; trouble, yes” in English. This music captures the playful dance of indecision and the allure of uncertain paths, winding through the heart’s tango. One moment it’s a whisper of restraint, the next a bold step into the rhythm of possibility, echoing life’s unpredictable melody.

Milonga

Style

Enrique Rodríguez

Orchestra

Armando Moreno

Singer

Arsenio Mármol

Author

Eusebio Severo Giorno

Composer

1941/11/26

Date

Armando Moreno
Armando Moreno
Enrique Rodríguez
Enrique Rodríguez

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Lyrics Translation of the Milonga Chunga que no, chunga que si

This is the translation of the Milonga “Chunga que no, chunga que si” from Spanish to English. The English lyrics of the Milonga “Chunga que no, chunga que si” have been done with AI.

Letra del Milonga Chunga que no, chunga que si

Morena retinta de agallas despinta
Luciendo la cinta de rojo punzó,
Los labios carnosos y duro el cabello
Erguido su cuello la plaza cruzó.
Con raros donaires dejando en los aires
De su Buenos Aires flotando un rencor,
Morena valiente de paso insolente
Mirando a la gente su rabia cantó:

Chunga chun chunga que no,
Chunga chun chunga que sí,
Al que se ponga,
Con la milonga
Que vive en mí.
Negra retinta en la piel
Y el corazón carmesí,
Esta es mi pinta,
Como la cinta
Que traigo aquí.

Su cara morena redonda y serena
Esconde la pena de su corazón,
Morena orgullosa no sabe otra cosa
Que ser mentirosa fingiendo desdén.
Por eso si alguno la mira insinuante
Se planta delante bravía y hostil,
Altiva y ardiente, mostrando los dientes
Con voz insolente se la oye decir:

English lyrics of the Milonga "Chunga que no, chunga que si"

Dark-skinned, brave, her pride on display,
Sporting a ribbon of piercing red,
Luscious lips and hair so tough,
She crossed the square with her head held high.
With unique grace, leaving behind
A hint of disdain from her Buenos Aires,
Brave dark-skinned girl with insolent stride,
Looking at the people, she sang out her rage:

Chunga chun chunga, no way,
Chunga chun chunga, yes indeed,
Anyone who messes
With the milonga
Living inside me.
Dark-skinned through and through,
With a crimson heart,
This is my look,
Like the ribbon
I wear here.

Her dark, round, calm face
Hides the sorrow of her heart,
Proud dark-skinned girl knows nothing else
But to lie, feigning indifference.
So if someone looks at her suggestively,
She stands before them, fierce and hostile,
Haughty and fiery, showing her teeth,
With an insolent voice, you can hear her say:

Chunga chun chunga, no way,
Chunga chun chunga, yes indeed,
Anyone who messes
With the milonga
Living inside me.
Dark-skinned through and through,
With a crimson heart,
This is my look,
Like the ribbon
I wear here.

Chunga que no, chunga que si by Arsenio Mármol

Chunga que no, chunga que si is a Tango written by Arsenio Mármol and composed by Eusebio Severo Giorno.



Story behind the Tango Chunga que no, chunga que si

The lyrics of “Chunga que no, chunga que si” reflect the story of a fearless, defiant woman with a distinct appearance, known for her dark, retinted skin and courageously bold demeanor. She navigates the public squares of Buenos Aires, all while bearing a deep-seated resentment and a fiery spirit. As she crosses these public spaces, the lyrics describe her as proud and insolent in her walk, expressing her anger and defiance through the recurring refrain that challenges those who confront her with the same fierce milonga that lives within her.



Symbolism of Chunga que no, chunga que si

The repeated lines “Chunga chun chunga que no, Chunga chun chunga que sí” symbolize a steadfast refusal to back down and an affirmation of her bold identity, respectively. The narrative weaves physical symbols like her “cinta de rojo punzó” (sharply red ribbon) and her “negra retinta en la piel” (deeply dark skin), which serve as emblems of her strong personality and undying courage. These elements of her appearance are not only a testament to her identity but also a defiance against societal expectations or norms. This defiance is further encapsulated in the phrases that express readiness to confront whoever challenges the essence of her being, represented by the milonga that resonates deeply within her.



Chunga que no, chunga que si in historic Context

Recorded in 1941 Argentina, “Chunga que no, chunga que si” emerges at a time when Tango was both a popular dance and a musical genre that often contained narratives of daily struggles and emotional expressions of the city’s lower classes. During this era, Buenos Aires was teeming with cultural exchanges and was the heart of the Tango movement, which often voiced the sentiment of the marginalized. As such, this tango can be seen as a reflection of defiance against social constraints, perhaps alluding to societal issues such as racial discrimination and the empowerment of minority groups, specifically represented through the character of a bold, black woman.



Arsenio Mármol

Arsenio Mármol was an influential figure in the Tango scene, known for crafting lyrics that often convey deep emotions and cultural narratives.