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Anoche a las dos

Anoche a las dos is a Tango written by Raúl de los Hoyos and recorded by Roberto Firpo in 1926. Roberto Firpo has recorded Anoche a las dos as an instrumental Tango.
“Anoche a las dos” translates to “Last Night at Two” in English. As the music sways like a gentle whisper in the moonlit streets, the name captures a moment suspended between dreams and reality, where secrets dance in the shadows. At this enchanted hour, memories and desires intertwine, painting the night with echoes of passion and longing.

Tango

Style

Roberto Firpo

Orchestra

Instrumental

Singer

Roberto Lino Cayol

Author

Raúl de los Hoyos

Composer

1926/11/8

Date

Instrumental
Instrumental
Roberto Firpo
Roberto Firpo

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Anoche a las dos recorded by other Orchestras

Anoche a las dos recorded by other Orchestras

Letra del Tango Anoche a las dos

Por fin has logrado, mujer de la calle

que un hombre decente se pierda por vos,

que hiera en su carne con odio asesino

quien un calabozo jamás conoció.

Mientras trabajaba de noche en la imprenta,

para que tuvieses el pan que te di,

vos hasta olvidando que tienes un hijo

mi nombre y el tuyo manchabas así…



¡Gata!, con un arañazo

pagas mi amor, inconsciente,

no merecés ni el balazo

que un hombre decente

te acaba de dar.

Y hoy, cuando el llanto te ahoga,

no es que estés arrepentida,

es al pensar que la herida

tu cuerpo de loca

te puede estropear.



Pero el precio de tu hazaña

lo pagarás algún día.



Yo estaba tranquila sentada en mi mesa,

hace unos instantes en ese café,

y un hombre de pronto allí se me acerca,

afuera me llama y salgo tras él…

Sin mediar palabra, sacando un revólver,

un tiro en el brazo cobarde me dio,

y ese caballero vio huir al canalla

y en ayuda mía, valiente acudió…



¡Mientes!, yo soy quien la ha herido.

¡Mientes!, no quieras salvarme,

solo el culpable yo he sido

y voy a entregarme, señor oficial.

¡Llora! no borra tu nombre

ni tu mentira indulgente

todo el dolor y el quebranto

que a un hombre decente

le has hecho pasar.

English lyrics of the Tango "Anoche a las dos"

You finally achieved it, woman of the streets

For a decent man to be lost over you,

That he would wound his flesh with murderous hate

Who never knew a jail cell.

While I worked at night at the print shop,

So you could have the bread I gave you,

You even forgetting you have a child

Sullied our names like this…

Cat! With a scratch

You repay my love, unawares,

You don’t even deserve the bullet

That a decent man

Just gave you.

And today, when tears suffocate you,

It’s not that you feel remorse,

It’s thinking that the wound

Might spoil your mad body.

But the price of your feat

You will pay someday.

I was calm, seated at my table,

Just moments ago in that café,

And suddenly a man approaches me,

Calls me outside and I follow him…
Without a word, pulling out a revolver,

He cowardly shot me in the arm,

And that gentleman saw the scoundrel flee

And bravely came to my aid…

You lie! I am the one who wounded her.

You lie! Don’t try to save me,

I alone am guilty

And I will surrender, officer.

Cry! Your name is not erased

Nor your indulgent lies

All the pain and heartbreak

That you’ve made a decent man

Go through.

Anoche a las dos by Roberto Lino Cayol

Anoche a las dos is a Tango written by Roberto Lino Cayol and composed by Raúl de los Hoyos.


Story behind the Tango Anoche a las dos

The tango “Anoche a las dos” tells a story of betrayal, despair, and retribution within the complex relationship dynamics of family, love, and societal status. A man, whom the lyrics describe as previously decent and untainted by crime, is driven to violent action because of the betrayal by a woman referred to derogatorily as ‘woman of the street’. The narrative unfolds revealing the woman’s neglect of both her partner and child while besmirching their reputations. The climax of the tale occurs when betrayal becomes too much to bear, leading to a physical altercation.


Symbolism of Anoche a las dos

Roberto Lino Cayol uses pointed language and symbolism to evoke the emotional turmoil and societal judgments embedded within the tango. The term “Gata,” meaning cat, symbolizes cunning and betrayal, positioning the woman as someone who uses her charm deceptively. Descriptions like “Mujer de la calle” (woman of the street) and “cuerpo de loca” (body of a madwoman) suggest a moral judgment on her character. The act of the shooting, followed by the vivid portrayals of response and confession, symbolizes the final breakdown of societal and personal order, triggered by intimate betrayal.


Anoche a las dos in the historic context

Set against the backdrop of 1920s Argentina, a period marked by social transformation and modernization, “Anoche a las dos” captures a snapshot of personal and societal conflicts. The lyrics reflect the era’s anxieties about morality, honor, and the disruption of traditional gender roles and family structures. During this time, tango music often served as a narrative vehicle to discuss themes like deception, passion, and social decay, encapsulating the emotional and cultural struggles of the lower and middle classes.


Roberto Lino Cayol

Roberto Lino Cayol was a lyricist and tango composer known for his emotionally charged and vivid storytelling through music, characteristic of the golden era of Argentine Tango.