Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Canaro en París is a Tango written by José Scarpino and composed by Juan Caldarella.
‘Canaro en París’ captures a nostalgia deeply rooted in the psyche of the tango enthusiast. The lyrics evoke memories of old tangos that have provided comfort during moments of sorrow. This emotional anchor, coupled with the intoxicating allure of the music itself, illustrates an escapism through which the singer revisits fond, yet distant, times. The title “Canaro en París” itself refers to Francisco Canaro, a famous Uruguayan violinist and tango orchestra leader who made remarkable inroads with Tango in Paris, symbolizing the international journey and acceptance of Tango.
Key phrases in the lyrics such as “Vieja milonga” and “tango querido” not only express a deep affection for the dance but also personify the tango as an old cherished friend, signifying its timeless and continuative essence. “Tu recuerdo cariñoso” symbolizes the tango’s enduring warmth, giving it a near-human quality. By stating “siento que el alma se me encoje poco a poco,” there’s a palpable feeling of the soul shrinking, indicating a bittersweet mix of joyous reminiscence and a melancholy longing for the past.
By 1970, tango had seen various transformations and had woven itself into the multi-national fabric. ‘Canaro en París’, while capturing personal nostalgia, also serves as homage to the globalization of Tango. Its creation in Argentina, but reference to Paris through Canaro, reflects a cultural bridge built by the tango music which transcended initial geographic and social confines, celebrating an era where tango reigned supreme in glamorous cities like Paris.
José Scarpino was a prominent figure in Tango, known for his poignant lyrics that often delved deeply into themes of nostalgia and love.