Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Bésame en la boca is a Tango written by Eduardo Calvo and composed by José María Rizzuti.
The lyrics of “Bésame en la boca” portray a poignant scene on Florida Street, a bustling area in Buenos Aires. Here, the narrator encounters a woman consumed by sorrow and disillusionment with love. She expresses her heartbreak and the weight of her past relationships, which have left her skeptical and wounded. Yet, in an intimate exchange, she asks for silent affection and a kiss that conveys hope and yearning for emotional restitution.
“Bésame en la boca,” translating to “Kiss me on the mouth” in English, symbolizes a powerful emotional and physical connection. The request for a kiss, coupled with the directive to love her quietly, highlights a desire for a pure, unspoken connection that transcends the painful memories of past loves. The kiss symbolizes new beginnings and the potential healing power of love, even when spoken words fail to convey the depth of one’s emotions.
Recorded in 1950 post-World War II, “Bésame en la boca” reflects a period of reconstruction and reconciliation. During this era, themes of loss, despair, and the quest for renewal were prevalent in arts and culture. In Argentina, tango often encapsulated the mood of the society—its melancholy, romance, and resilience. The song’s focus on personal recovery and emotional healing mirrors the societal yearning for recovery and peace in a post-war world.
Eduardo Calvo, an influential lyricist in the realm of Argentine Tango, often penned lyrics that touched on profound emotional landscapes and human experiences.