Fabrice Knecht Tango DJ
Style
Orchestra
Singer
Author
Composer
Date
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Así es Ninón is a Tango written by Marsilio Robles and composed by Juan Larenza.
The lyrics of “Así es Ninón” depict a poignant narrative centered around Ninón, a character who seems to embody melancholy and somber elegance. The opening lines introduce her with striking imagery: hair draped over her shoulder, dark as coal, and evening shadows in her eyes, setting a tone of profound sadness and mystery. The song details her quiet, dignified sorrow, elevating her emotion to the levels of ceremonial candles and enduring grief. Ninón emerges as a figure of pure tenderness, with a touch of tragic beauty, evoked through the metaphors of moonlight and orange blossoms—symbols traditionally associated with purity and bridal innocence.
The symbolism in “Así es Ninón” is rich and carefully chosen, enhancing the overall melancholic feel of the piece. Ninón’s life is likened to a ‘rosary of a thousand sleepless nights,’ a metaphor that suggests a continual and fervent plea for relief or redemption. The reference to her hair turning grey as a result of her suffering uses physical transformation to mirror emotional turmoil. The imagery of ‘her soul fading slowly into forgiveness’ paints her resilience and gradual resignation. The language choice here centers around themes of light fading and vitality diminishing, which closely align with the broader motifs of loss and despair.
Set in post-World War II Argentina, “Así es Ninón” was penned during a time of significant upheaval and economic instability. The year 1946 marks a pivotal moment as Juan Domingo Perón rose to power, an event that would lead to substantial social and political changes in Argentina. This backdrop of uncertainty and change is mirrored in Ninón’s personal narrative of lost love and faded dreams, perhaps serving as a microcosm of broader societal experiences. The persistent reference to unchanged skies despite the passing of ‘a hundred moons’ might subtly criticize or reflect on the enduring socio-political atmosphere in Argentina during those times.
Marsilio Robles is known for his contributions to the Argentine Tango, often weaving intricate emotional and societal narratives into his lyrics.