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Anclao en Paris

Anclao en Paris is a Tango written by Guillermo Barbieri and recorded by Carlos Gardel in 1931. The Tango Anclao en Paris is written by Guillermo Barbieri, Carlos Gardel has recorded Anclao en Paris with the singer Guit. Guillermo Barbieri, Ángel Domingo Riverol, Domingo Julio Vivas.
“Anclao en Paris,” or “Anchored in Paris,” evokes a deep sense of longing and nostalgia. Caught between the vibrant allure of Parisian streets and the haunting memories of home, the music speaks of a soul tethered to a place it cannot leave. The melody reflects a poignant journey of dreams tangled in shadows of the past, yearning for connection amidst isolation.

Tango

Style

Carlos Gardel

Orchestra

Guit. Guillermo Barbieri, Ángel Domingo Riverol, Domingo Julio Vivas

Singer

Enrique Cadícamo

Author

Guillermo Barbieri

Composer

1931/9/4

Date

Guit. Guillermo Barbieri, Ángel Domingo Riverol, Domingo Julio Vivas
Guit. Guillermo Barbieri, Ángel Domingo Riverol, Domingo Julio Vivas
Carlos Gardel
Carlos Gardel

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Cuarteto Aníbal Troilo – La tablada – 1968/8/5
Lucio Demare – Tinta verde – 1942/12/9
Lucio Demare – Tal vez será mi alcohol (Tal vez será su voz) – 1943/5/6
Lucio Demare – No nos veremos más – 1943/2/11
Lucio Demare – Malena – 1957/1/1
Lucio Demare – La cachila – 1957/1/1
Miguel Caló – Lejos de Buenos Aires – 1942/7/29
Miguel Caló – Yo soy el tango – 1941/6/12
Miguel Caló – Sans souci – 1944/7/7
Miguel Caló – Loco turbión – 1946/3/15
Miguel Caló – Marión – 1966/9/8
Adolfo Carabelli – Que salga el toro – 1931/10/2
Adolfo Carabelli – Pa’ que lagrimear – 1933/9/12
Adolfo Carabelli – Desconfianza – 1932/5/6
Adolfo Carabelli – Canta guitarra – 1931/1/1
Adolfo Carabelli – No le quiero mirar – 1932/12/30

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Anclao en Paris recorded by other Orchestras

Anclao en Paris recorded by other Orchestras

1931/9/4 – Cantando – Adolfo Carabelli
1931/9/4 – Mi refugio – Adolfo Carabelli
1931/9/4 – Preparate pa-l domingo – Carlos Gardel
1931/9/4 – Ofrenda maleva – Carlos Gardel
1931/9/3 – Rezando a San Antonio – Orquesta Tipica Victor
Anclao en Paris – 1931/9/4 – Carlos Gardel – Guit. Guillermo Barbieri
Angel Domingo Riverol
Domingo Julio Vivas
Anclao en Paris – 1931/5/28 – Carlos Gardel – Guit. Guillermo Barbieri
Angel Domingo Riverol
Anclao en Paris – 1931/10/9 – Francisco Canaro – Instrumental

Lyrics Translation of the Tango Anclao en Paris

This is the translation of the Tango “Anclao en Paris” from Spanish to English. The English lyrics of the Tango “Anclao en Paris” have been done with AI.

Letra del Tango Anclao en Paris

Tirao por la vida de errante bohemio

estoy, Buenos Aires, anclao en París.

Cubierto de males, bandeado de apremio,

te evoco desde este lejano país.

Contemplo la nieve que cae blandamente

desde mi ventana, que da al bulevar

las luces rojizas, con tono muriente,

parecen pupilas de extraño mirar.



Lejano Buenos Aires ¡qué lindo que has de estar!

Ya van para diez años que me viste zarpar…

Aquí, en este Montmartre, fobourg sentimental,

yo siento que el recuerdo me clava su puñal.



¡Cómo habrá cambiado tu calle Corrientes..!

¡Suipacha, Esmeralda, tu mismo arrabal..!

Alguien me ha contado que estás floreciente

y un juego de calles se da en diagonal…

¡No sabes las ganas que tengo de verte!

Aquí estoy varado, sin plata y sin fe…

¡Quién sabe una noche me encane la muerte

y, chau Buenos Aires, no te vuelva a ver!

English lyrics of the Tango "Anclao en Paris"

Dragged by the life of a wandering bohemian,
I am, Buenos Aires, anchored in Paris.
Covered with woes, pressed by urgency,
I evoke you from this distant country.

I watch the snow that falls softly
from my window, overlooking the boulevard.
The reddish lights, with a dying tone,
resemble pupils of a strange gaze.

Distant Buenos Aires, how beautiful you must be!
It’s been almost ten years since you saw me sail…
Here, in this Montmartre, sentimental suburb,
I feel that the memory stabs me with its dagger.

How your Corrientes Street must have changed!
Suipacha, Esmeralda, your same neighborhood…
Someone has told me that you’re flourishing,
and a play of streets happens diagonally…
You don’t know how much I long to see you!
Here I’m stranded, without money and without faith…
Who knows, maybe one night death will catch me,
and goodbye Buenos Aires, I might not see you again!

Anclao en Paris by Enrique Cadícamo

Anclao en Paris is a Tango written by Enrique Cadícamo and composed by Guillermo Barbieri.



Story behind the Tango Anclao en Paris

The tango “Anclao en Paris” depicts the poignant tale of an Argentine expatriate trapped in Paris. The narrator expresses a deep nostalgia for Buenos Aires, his homeland, which he left a decade ago. Through the lyrics, the story unfolds of an individual wrestling with the hardships and the cultural shock of living far from home, contemplating the alien environment and its effect on his soul. He feels ‘anchored’ in Paris, not just physically but emotionally, as he struggles with isolation and an inability to return to Argentina due to financial and perhaps emotional reasons.



Symbolism of Anclao en Paris

The recurring imagery of winter and snow in Paris symbolizes the cold and loneliness contrasted against the warmth and vitality of Buenos Aires. The “luces rojizas” or reddish lights represent dying embers, perhaps mirroring the narrator’s dimming connection with his past and his fading hope. The sharp memory of Buenos Aires, filled with bustling streets like Corrientes and Esmeralda, stabs him like a dagger, showcasing the pain of his nostalgia. This vivid distinction between two cities highlights the emotional and cultural divide the narrator experiences.



Anclao en Paris in historic Context

Written during the early 1930s, “Anclao en Paris” was composed against the backdrop of the Great Depression’s global impact, including Argentina. The references to economic hardship (“sin plata y sin fe”) reflect the widespread despair of that era, which saw many individuals leave their home countries in search of better opportunities, only to find themselves facing severe challenges abroad. Furthermore, the mention of diagonal streets in Buenos Aires refers to the significant urban changes under Mayor Torcuato de Alvear, pointing to the transformation back home that the narrator has missed.



Enrique Cadícamo

Enrique Cadícamo was a renowned Argentine poet and tanguero known for his rich contributions to the genre of tango with some of the most iconic pieces.