Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Ya no cantas chingolo (Chingolito) is a Tango written by Edmundo Bianchi and composed by Antonio Scatasso.
The lyrics of “Ya no cantas chingolo (Chingolito)” tell a poignant tale of lament, encapsulating the sense of loss and nostalgia for a bygone era in Argentina’s pampas. The chingolo—a singing bird, often symbolizing the traditional folk singer or payador—is depicted as silenced by the encroachment of modernity, represented by railroads and urbanization. This bird, which once sang freely across the pampas, has now vanished, representing a broader disappearance of traditional rural culture in the face of industrial progress.
The chingolo in the song symbolizes not just a bird, but the cultural essence of the Argentine gaucho, equated with folk musicians or payadores who roamed and performed across the rural plains. The displacement of this bird embodies the loss of native cultural traditions, overshadowed by foreign influences such as jazz and technological advancements like the Ford car. Phrases like “Guitarrita del campo, pájaro payador” underline this symbolism, merging the images of a guitar, the countryside, and the folk singer into a single arc of cultural identity and loss.
Recorded in 1943, the song reflects a period in Argentina when there was a palpable shift from rural to urban emphasis, which corresponded with significant socio-economic changes. The lament for the silenced chingolo and the absence of traditional singing symbolize an ambivalence towards modernization. During this era, Argentina was rapidly modernizing, influencing even remote areas traditionally dominated by agricultural practices. The loss articulated in the lyrics captures a collective unease, mourning the overshadowing of the country’s agrarian roots and its folklore by industrial, non-native elements.
Edmundo Bianchi was an Argentine lyricist known for his contributions to the Tango genre, often infusing his lyrics with deep cultural reflections and a sense of nostalgia.