Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Una canción is a Tango written by Cátulo Castillo and composed by Aníbal Troilo.
“Una canción” translates to “A Song” in English and in its lyrical embrace, captures the essence of a poignant narrative steeped in reflection and intoxication. The lyrics intimate a setting in a bodegón, an Argentine bar or tavern, where spirits both alcoholic and emotional blend seamlessly. The protagonists, enveloped in the fog of drink and memories, revisit a song that threads through their shared past, emerging as an anthem of their weathered affection and mutual disillusionment. The atmosphere is one of somber nostalgia and the struggle against the intransigence of fate, echoed through the repetitive request for a song that numbs sadness and stirs old feelings.
The use of alcohol as a symbol interlaces through “Una canción”, contrasting the intoxication from drink with the intoxication of memories and past love. The “cup of alcohol” and the repeated call for more rum represent an attempt to escape present woes. The accordion plays a fatal and monotonous tune, much like the predictable despair of the singers’ lives. Additionally, the “bata de percal” (muslin robe) and “miel” (honey) in the heart imply a stark juxtaposition between the simplicity and sweetness of genuine emotion, veiled under the rough exterior of a tavern environment. Each of these elements crafts a deeper dive into despair and solace found in forgotten lyrics of an old song.
Recorded in 1953, a period rich in Argentine musical evolution, “Una canción” by Cátulo Castillo and Aníbal Troilo emerges from a culture deeply embedded with the tango’s dramatic expression. Post-World War II Argentina was marked by political and economic shifts, and tango music often reflected the public’s sentiments of loss, nostalgia, and resistance against the changing tides. The repeated phrase “los dos en curda” (both of us drunk) metaphorically captures the state of being overwhelmed both by alcohol and by the turbulent socio-political climate, using personal narrative to mirror larger societal issues.
Cátulo Castillo was a prominent Argentine poet and tango lyricist whose works often delved into themes of love, nostalgia, and socio-political commentary, making profound impacts in the tango culture of his time.