Fabrice Knecht Tango DJ

Triste flor de tango

Triste flor de tango is a Tango written by Enrique Mario Francini and recorded by Francini-Pontier in 1953. The Tango Triste flor de tango is written by Enrique Mario Francini, Francini-Pontier has recorded Triste flor de tango with the singer Pablo Moreno.
The name “Triste flor de tango” translates to “Sad Flower of Tango” in English. This evocative title captures the essence of a melancholic bloom, wilting in the dance of time, representing the fleeting beauty and sorrow of lost love. The piece, with its mournful melody, paints a picture of passion and longing, resonating with the bittersweet emotions of the dance.

Tango

Style

Francini-Pontier

Orchestra

Pablo Moreno

Singer

Carlos Bahr

Author

Enrique Mario Francini

Composer

1953/9/22

Date

Pablo Moreno
Pablo Moreno
Francini-Pontier
Francini-Pontier

Discover Other Orchestras

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Lyrics Translation of the Tango Triste flor de tango

This is the translation of the Tango “Triste flor de tango” from Spanish to English. The English lyrics of the Tango “Triste flor de tango” have been done with AI.

Letra del Tango Triste flor de tango

De un tango, el espejismo, te fue tentando,

Un brazo en la cintura, te enloqueció,

Tu vida de repente brilló girando

Mecida en los rezongos de un bandoneón.

El vértigo del baile torció tus pasos,

La caña de un halago, te emborrachó,

Y fuiste en cuerpo y alma, con el abrazo

Del bailarín compadre, que te perdió.



Flor de tango…

Ven y embriágate conmigo en el fandango

Que a tu vida el son de un tango, marchitó.

Vamos, vamos…

Que la noche está invitando,

A engañar en un abrazo

Tu dolor y mi dolor.

Flor de tango…

Tu compinche, el bandoneón te está llamando

Ven conmigo aunque te duela el corazón.

Vamos, vamos…

Que el que paga está esperando,

En la pista donde el tango

Fue tu amor y es tu dolor.



Canyengue esclava triste, que en el fandango

Girás por vos las cosas, noches de amor,

Llevás dentro las venas el ritmo amargo

Y está latiendo en tango, tu corazón.

Qué lejos se ha quedado tu primer paso,

Bailar es el calvario que te quedó,

Hermana, me doy cuenta que estás llorando

Detrás de tu pintada mueca de alcohol.

English lyrics of the Tango "Triste flor de tango"

From a tango, the mirage, it was tempting you,

An arm around your waist, drove you mad,

Suddenly your life shined, swirling around

Rocked in the grievances of a bandoneon.

The vertigo of the dance twisted your steps,

The cane of flattery, intoxicated you,

And you were in body and soul, with the embrace

Of the partner dancer, who led you astray.

Tango flower…

Come and get drunk with me in the fandango

That wilted your life to the sound of a tango.

Come on, let’s go…

The night is inviting,

To deceive in an embrace

Your pain and my pain.

Tango flower…

Your accomplice, the bandoneon is calling you

Come with me even if your heart aches.

Come on, let’s go…

The payer is waiting,

On the dance floor where the tango

Was your love and is your pain.

Sad slave to the canyengue, that in the fandango

You spin things around for yourself, nights of love,

You carry within your veins the bitter rhythm

And your heart is beating in tango.

How far your first step has stayed behind,

Dancing is the calvary that remains for you,

Sister, I realize you are crying

Behind your painted grimace of alcohol.

Triste flor de tango by Carlos Bahr

Triste flor de tango is a Tango written by Carlos Bahr and composed by Enrique Mario Francini.



Story behind the Tango Triste flor de tango

The lyrics of “Triste flor de tango” narrate the emotional and tumultuous life of a woman enthralled by the passionate and sometimes perilous world of tango. The “mirage of tango” initially seduces her, leading to a life where her paths are twisted by the vertigo of dance and sweet words (halagos) that intoxicate like alcohol. As she becomes fully immersed in the dance, both physically and emotionally, she finds herself lost, misled by a dancer, symbolizing a lover or perhaps the dance itself as an entity.



Symbolism of Triste flor de tango

In “Triste flor de tango,” the author uses potent symbols to convey emotional depth. The repeated references to “flor de tango” signify the woman as a flower—a natural, beautiful, yet transient and delicate being, deeply intertwined with the essence of tango. She blooms in this milieu, but also wilts under its pressures. The bandoneón, a quintessential instrument in tango music, is personified as her “comrade,” reflecting its fundamental role in defining her life’s rhythm. The dance floor becomes a place not just of physical dance, but of emotional play, where love and pain entangle irrevocably.



Triste flor de tango in historic Context

“Triste flor de tango” was written and recorded in 1953, a period when tango music was undergoing significant evolution in Argentina. Post-World War II, Argentine society was marked by rapid urbanization and changing social norms, particularly in cities like Buenos Aires where tango music thrived and evolved. The music and dance were expressions of deeper social and personal upheavals, and Bahr’s lyrics poignantly capture this: the lure and disillusionment of city life, the intermingling of joy and sorrow, and the search for identity in a rapidly changing world. The story of the woman in the song reflects the larger narrative of those trying to find their place in this new urban landscape.



Carlos Bahr

Carlos Bahr was a prolific Argentine lyricist known for his contributions to the tango genre, profoundly capturing the spirit and complexities of mid-20th-century Argentine life.