Fabrice Knecht Tango DJ

Tinta verde

Tinta verde is a Tango written by Agustin Bardi and recorded by Armando Pontier in 1966. Armando Pontier has recorded Tinta verde as an instrumental Tango.
“Tinta Verde,” or “Green Ink” in English, evokes an image of nature’s vibrant palette flowing across a canvas. It symbolizes fresh beginnings and the endless possibilities captured in each flourish of creativity. The music, like the ink, dances with lively spirit, painting vivid stories upon the heart and inviting the listener to dream anew.

Tango

Style

Armando Pontier

Orchestra

Instrumental

Singer

Author

Agustin Bardi

Composer

1966/12/23

Date

Instrumental
Instrumental
Armando Pontier
Armando Pontier

Discover Other Orchestras

Adolfo Carabelli – Yo me quiero divorciar – 1933/3/15
Adolfo Carabelli – Canción de amor – 1931/6/15
Adolfo Carabelli – Mi refugio – 1931/9/4
Adolfo Carabelli – No le quiero mirar – 1932/12/30
Adolfo Carabelli – Deci que si – 1933/1/1
Aníbal Troilo – Mi viejo reloj – 1965/1/7
Aníbal Troilo – Pero yo sé – (unknown date)
Aníbal Troilo – El milagro – 1947/4/29
Aníbal Troilo – Y volvemos a querernos – 1949/10/26
Aníbal Troilo – Bien milonga – (unknown date)
Edgardo Donato – Mañana – 1936/3/10
Edgardo Donato – Juramento (2) – 1931/1/1
Edgardo Donato – Ladrona de Sevilla – 1934/9/14
Edgardo Donato – Y llego el amor – 1934/6/28
Edgardo Donato – Mamboreta – 1950/7/7
Miguel Caló – Bien jailefe – 1955/5/4
Miguel Caló – Qué cosas tiene la vida – 1946/4/4
Miguel Caló – Echale sal – 1948/8/9
Miguel Caló – Luces del puerto – 1938/12/21
Miguel Caló – Alma de bohemio – 1965/1/1

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Tinta verde recorded by other Orchestras

Tinta verde recorded by other Orchestras

1966/12/23 – Extrano – Armando Pontier
1966/12/23 – Gallo ciego – Armando Pontier
1966/12/23 – Madame Ivonne – Armando Pontier
1966/12/22 – La novia ausente – Armando Pontier
1966/12/22 – Miedo (2) – Armando Pontier
Tinta verde – 1938/3/7 – Anibal Troilo – Instrumental
Tinta verde – 1945/10/30 – Carlos di Sarli – Instrumental
Tinta verde – 1954/1/26 – Carlos di Sarli – Instrumental
Tinta verde – 1954/9/14 – Carlos di Sarli – Instrumental
Tinta verde – 1935/12/8 – Juan D-Arienzo – Instrumental
Tinta verde – 1967/11/14 – Juan D-Arienzo – Instrumental
Tinta verde – 1927/10/17 – Osvaldo Fresedo – Instrumental
Tinta verde – 1942/12/9 – Lucio Demare – Instrumental
Tinta verde – 1966/12/23 – Armando Pontier – Instrumental

Tinta verde recorded by Armando Pontier


Tinta verde is an instrumental Tango composed by Agustin Bardi.



Interpretation of Tinta verde


Translated to English, “Tinta verde” means “Green Ink.” In this interpretation, the title evokes the imagery of writing, creativity, and nature — the color green often symbolizing growth and renewal. As an instrumental piece, “Tinta verde” may capture these themes through its dynamic and fluid movements, much like ink flowing effortlessly across a page.



The tango begins with a lively introduction, perhaps representing the initial stroke of the pen, introducing the listener to a vibrant musical narrative. As the piece unfolds, the melody could mimic the undulating lines written by a poet, filled with emotion and expressiveness, a characteristic hallmark of Agustin Bardi’s compositions.



The harmonious interplay between the various instruments might symbolize a dialogue between the writer and their muse, each instrument contributing its own shade to the overall tapestry of the composition. The rich, complex rhythms typical of tango offer a rhythmic heartbeat, underscoring the creative pulse that drives the narrative forward.



Armando Pontier and Tinta verde


Armando Pontier’s orchestra brings “Tinta verde” to life with its signature style, a blend of precision and passion. Known for its capacity to convey deep emotion, Pontier’s ensemble interprets Bardi’s work with nuance and a profound understanding of the tango’s essence.



The performance by Armando Pontier could accentuate the subtle shifts in tempo and dynamics, drawing out the contrasts within the composition. This heightens the listener’s experience, allowing them to visualize the ‘green ink’ as it brings life to a blank page, telling a story through sound that is both timeless and evocative.