Si alguna vez (2) by Agustín Horacio Delamónica

Si alguna vez (2) is a Tango written by Agustín Horacio Delamónica and composed by Antonio María Arcieri.

Story behind the Tango Si alguna vez (2)

The lyrics of “Si alguna vez (2)” poignantly convey a narrative of heartbreak and irrevocable loss. The song begins with a deeply emotional scene where two lovers are in the throes of parting. The imagery of clutching each other tightly, sobbing bitterly “sollozando amargamente,” suggests a deep emotional bond strained by inevitable separation. The use of “en el supremo instante de la separación” underscores the gravity and finality of this moment.

The verse “Si alguna vez, amor, sintieras como yo,” directly appeals to the beloved, imagining a situation where she might experience the same profound loneliness and chill of lost love. This expression of shared suffering bridges the personal pain with broader emotional experiences, drawing the listener deeply into the narrator’s emotional world.

Symbolism of Si alguna vez (2)

The phrase “Como se pierden los sueños, así siento que te perdí,” is a poignant metaphor comparing lost dreams to the feeling of losing the beloved. It emphasizes the intangible yet deeply felt nature of both dreams and love. The imagery of “las manos vacías y frías” symbolizes an emotional and physical void felt in the absence of the beloved’s touch, reinforcing the theme of loss and longing.

The recurrent references to cold, such as “frío en el corazón,” symbolize the emotional desolation left by the absence of love and the warmth it once brought. This contrasts starkly with the “sollozando amargamente,” where the intensity of prior emotions still resonates deeply, highlighting the painful coldness of the present.

Si alguna vez (2) in historic Context

The tango “Si alguna vez (2)” was produced during a turbulent period of the 1940s in Argentina, a time marked by political shifts and social changes. The year 1943, in particular, was pivotal due to the military coup that led to significant changes in the government. This political instability may mirror the instability and loss depicted in the tango, suggesting a broader reflection on the transient and often uncontrollable nature of life’s circumstances.

The sense of melancholy, separation, and longing prevalent in tango music often reflects a broader cultural sentiment prevalent in Argentine society at the time, resonating with the public who might have been experiencing similar personal and collective upheavals.

Agustín Horacio Delamónica

Agustín Horacio Delamónica was a notable figure in the tango genre, contributing to its rich lyrical tradition with deep emotional and cultural insights.