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El niño Jacinto

El niño Jacinto is a Milonga written by Oscar Rubens and recorded by Roberto Firpo in 1943. The Milonga El niño Jacinto is written by Oscar Rubens, Roberto Firpo has recorded El niño Jacinto with the singer Alberto Diale.
“El niño Jacinto,” or “The Boy Hyacinth,” is the name of a tender, melodic piece that captures the spirit of youthful innocence and bloom. In its notes, one can hear the whispers of a child’s dreams dancing with the vibrant essence of spring. Just as a hyacinth blooms, so does the music unfurl, telling tales of purity and untainted wonder.

Milonga

Style

Roberto Firpo

Orchestra

Alberto Diale

Singer

Juan De La Huerta

Author

Oscar Rubens

Composer

1943/4/27

Date

Alberto Diale
Alberto Diale
Roberto Firpo
Roberto Firpo

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Lyrics Translation of the Milonga El niño Jacinto

This is the translation of the Milonga “El niño Jacinto” from Spanish to English. The English lyrics of the Milonga “El niño Jacinto” have been done with AI.

Letra del Milonga El niño Jacinto

Los patios se han adornado

Con banderas y faroles,

Y empezaron los tambores

El candombe sin cesar.



El negrito, preparado

Dormidito está en la cuna,

Esperando venga el cura

Que lo habrá de cristianar.



Tulumba, tulumba, tulumba bam bá

Los negros de fiesta, viá a candombiá,

Moño colorado, su bata planchá

Y los tamboriles: tulumba tumbá.



El niño dormido, el cura llegó,

Tulumba, tulumba, la fiesta empezó,

Despiertan al niño, se pone a llorar

El niño Jacinto ya está bautizao.



Tulumba, tulumba

Tulumba tumbá,

La fiesta se anima de felicidad

El niño Jacinto ya está bautizao.

English lyrics of the Milonga "El niño Jacinto"

The courtyards are all adorned
With flags and lanterns,
And the drums have started
The ceaseless candombe.

The little boy, prepared
Is sleeping snug in the cradle,
Waiting for the priest to come
To christen him.

Tulumba, tulumba, tulumba bam bá
The black folks celebrating, gonna candombe,
Red ribbon, ironed frock
And the drums go: tulumba tumbá.

The child asleep, the priest arrived,
Tulumba, tulumba, the festivity began,
They wake the child, who starts to cry
Little Jacinto is now baptized.

Tulumba, tulumba
Tulumba tumbá,
The party comes alive with joy
Little Jacinto is now baptized.

El niño Jacinto by Juan De La Huerta

El niño Jacinto is a Tango written by Juan De La Huerta and composed by Oscar Rubens.



Story behind the Tango El niño Jacinto

The lyrics of “El niño Jacinto” narrate the celebration surrounding the baptism of a young boy named Jacinto. The setting is vividly depicted with courtyards decorated with flags and lanterns, the air filled with the relentless rhythm of drums initiating a traditional candombe. The term candombe refers to a cultural dance and musical expression rooted in the African communities of Uruguay and Argentina. The presence of this dance in the celebration highlights the communal and traditional aspects of this significant life event, emphasizing the cultural blend inherent in the region.



Symbolism of El niño Jacinto

The song employs several symbolic elements to enrich its narrative. The “tulumba, tulumba” phrase mimics the sound of the drums, which are central to the candombe celebration. This repetitive drumming sound symbolizes the heartbeat of the community and conveys a sense of ongoing life and connectivity. The imagery of the sleeping child waiting for the priest alludes to innocence and new beginnings, while his crying upon waking may symbolize the abrupt entrance into the spiritual community through the rite of baptism. The red bow (“moño colorado”) and ironed gown (“su bata planchá”) suggest a festive, respectful approach to the ceremony, highlighting cultural values of honor and celebration.



El niño Jacinto in historic Context

The year 1943 was a complex time in Argentina, characterized by political instability and the rise of Juan Domingo Perón. Within this turbulent historical context, “El niño Jacinto,” recorded on April 27, 1943, offers a slice of cultural continuity and celebration amidst societal changes. The incorporation of African-derived musical elements like candombe into popular Argentine music such as Tango speaks to the enduring influence of diverse immigrant groups in shaping national culture. This song serves not only as entertainment but also as a reflection of societal integration and cultural preservation during a time of change.



Juan De La Huerta

Juan De La Huerta was an Argentine Tango lyricist known for weaving vivid narratives that often highlighted cultural and social elements of Argentine life.