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Serenata mia

Serenata mia is a Tango written by Juan Pablo Marín and recorded by Carlos di Sarli in 1957. The Tango Serenata mia is written by Juan Pablo Marín, Carlos di Sarli has recorded Serenata mia with the singer Roberto Florio.
“Serenata Mia,” or “My Serenade” in English, echoes through the air like whispered promises under a moonlit sky. It is a tender dialogue between hearts, a melody that captures the essence of love’s quiet devotion. Each note unfolds a timeless story, where emotions dance gracefully in a symphony of longing and intimacy.

Tango

Style

Carlos di Sarli

Orchestra

Roberto Florio

Singer

Juan Pablo Marín

Author

Juan Pablo Marín

Composer

1957/11/21

Date

Roberto Florio
Roberto Florio
Carlos di Sarli
Carlos di Sarli

Discover Other Orchestras

Héctor Varela – La viruta – 1967/7/4
Héctor Varela – El irresistible – 1960/6/8
Héctor Varela – A la gran muñeca – 1964/5/21
Héctor Varela – Con flauta y guitarra – 1973/1/1
Héctor Varela – Rodríguez Peña – 1957/4/26
Alfredo De Angelis – Luz y sombra (2) – 1956/8/8
Alfredo De Angelis – Mi madre querida – 1971/9/8
Alfredo De Angelis – Milonga celestial – 1964/5/1
Alfredo De Angelis – Por quererte te perdi – 1947/12/23
Alfredo De Angelis – Adios marinero – 1946/12/27
Orquesta Símbolo Osmar Maderna – Me has robado el corazón – 1959/11/23
Orquesta Símbolo Osmar Maderna – Merceditas – 1958/9/23
Orquesta Símbolo Osmar Maderna – Yo te bendigo – 1959/8/18
Orquesta Símbolo Osmar Maderna – Escalas en azul – 1959/6/17
Orquesta Símbolo Osmar Maderna – Papá Baltasar – 1960/10/14
Rodolfo Biagi – Carillón de La Merced – 1941/9/26
Rodolfo Biagi – Mañana por la mañana – 1946/12/30
Rodolfo Biagi – Viejo portón – 1938/10/17
Rodolfo Biagi – Yo tengo un puñal – 1943/3/3
Rodolfo Biagi – Cielo – 1939/9/18

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1957/11/21 – Bahia Blanca – Carlos di Sarli
1957/12/16 – Te quiero – Alfredo De Angelis
1957/10/25 – No me hablen de ella – Osvaldo Pugliese
1957/10/25 – Yunta de oro – Osvaldo Pugliese
1957/12/18 – Pa- la muchachada – Osvaldo Pugliese

Lyrics Translation of the Tango Serenata mia

This is the translation of the Tango “Serenata mia” from Spanish to English. The English lyrics of the Tango “Serenata mia” have been done with AI.

Letra del Tango Serenata mia

Es imposible, vida querida
que no haga un alto en tu ventana,
para cantarte mis trovas… siempre
llego dichoso con mi guitarra.
Junto a tu reja están grabados
mis sentimientos, mis esperanzas,
tú ya no crees en mis desvelos
pero igual dejo mi serenata…

Serenata mía
Haz que vuelva a mí,
con la melodía
que la conocí…
La ra ra la ra ra
La ra ra, la ra.
Serenata mía
con tu melodía,
yo la conocí.
Serenata mía
con tu melodía
también la perdí.

Pero el destino todo lo impone
y yo sin ella no valgo nada,
que culpa tengo si por quererla
mis ilusiones quedan truncadas.
Y si fracaso en este intento
quiero que sepas mi serenata,
que ya abandono a mi guitarra
y ya sin ella no queda nada.

English lyrics of the Tango "Serenata mia"

It’s impossible, my dear life,
not to pause at your window,
to sing you my verses… always
I happily arrive with my guitar.
By your fence are engraved
my feelings, my hopes,
you no longer believe in my wakefulness
but still, I leave my serenade…

My serenade
Make her return to me,
with the melody
with which I met her…
La ra ra la ra ra
La ra ra, la ra.
My serenade
with your melody,
I met her then.
My serenade
with your melody
I lost her too.

But fate dictates everything
and without her, I’m worth nothing,
what fault is mine if loving her
my dreams are shattered.
And if I fail in this attempt
I want you to know my serenade,
that I now abandon my guitar
and without it, nothing remains.

Serenata mia by Juan Pablo Marín

Serenata mia is a Tango written by and composed by Juan Pablo Marín.

Story behind the Tango Serenata mia

The lyrics of “Serenata mia” tell a tale of longing and heartache, woven into the cultural tapestry of Buenos Aires in the mid-20th century. The author speaks of an undying affection that leads them to serenade their beloved, despite the growing distance and fading belief in their gestures. The repetition of visits to the beloved’s window, guitar in hand, paints a vivid picture of dedication and a yearning for reconnection.

Symbolism of Serenata mia

The lyrics prominently feature the serenade itself as a symbol of hope and longing. References to the guitar and the act of singing at the beloved’s window depict a classic image of romance. The serenade represents both connection and separation—initially a tool of union as indicated by “La ra ra la ra ra, La ra ra, la ra,” but ultimately a reminder of loss as conveyed in “también la perdí.” The guitar is personified as an essential companion, reflecting the deep entwining of music and emotion.

Serenata mia in historic Context

In 1957, Argentina was undergoing significant social and cultural transformation, with Buenos Aires at the heart of its tango scene. “Serenata mia” captures the emotional intensity typical of tango music, where themes of love, loss, and longing reflect the urban life of the porteños (residents of Buenos Aires). The serenade, a romantic tradition, becomes a vessel for the tango’s narrative, encapsulating the city’s atmosphere and the era’s emotional landscape.

Juan Pablo Marín was a notable composer in the Argentine tango scene, known for his ability to convey deep emotion through intricate melodies and poignant lyrics.