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Qué hacés qué hacés

Qué hacés qué hacés is a Tango written by José Di Clemente and recorded by Edgardo Donato in 1933. The Tango Qué hacés qué hacés is written by José Di Clemente, Edgardo Donato has recorded Qué hacés qué hacés with the singer Félix Gutiérrez.
“Qué hacés qué hacés” translates to “What are you doing, what are you doing” in English. It captures the urgency and longing of a heart caught in a dance of indecision and desire. Like a tango’s passionate sway, the phrase questions and beckons, inviting introspection and a response from the depths of one’s soul.

Tango

Style

Edgardo Donato

Orchestra

Félix Gutiérrez

Singer

Jesús Fernández Blanco

Author

José Di Clemente

Composer

1933/11/29

Date

Félix Gutiérrez
Félix Gutiérrez
Edgardo Donato
Edgardo Donato

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Lyrics Translation of the Tango Qué hacés qué hacés

This is the translation of the Tango “Qué hacés qué hacés” from Spanish to English. The English lyrics of the Tango “Qué hacés qué hacés” have been done with AI.

Letra del Tango Qué hacés qué hacés

¡Qué hacés, qué hacés,
que de repente te has parao,
y no querés
saber de amigos del pasao!
Será tal vez
que tu patrón se descuidó,
o puede ser
que alguna herencia te tocó…
¡Qué hacés, qué hacés!
que de la barra disparás
y te creés
el ‘nene lindo de mamá’…
¡Qué plato, che,
cuando te gritan en el barrio:
Adiós, Novarro,
Qué hacés, qué hacés!

Por cuatro mangos que han llovido,
Dios sabe cómo, te has engrupido…
Pensás que sos un diputao,
y sólo sos
un gil a cuadros empilchao…
Por esos locos berretines
también cambiaste de apellidos…
¡Ya no sos Pérez Gilines!
¡Sos Nito Anchorena Unzué!
¡Qué hacés, qué hacés
con ese dique de bacán!

Te la has piyao
que hasta las uñas te pintás…
Si todos, che,
te vimos siempre laburar
bien engrasao,
vendiendo cachos de fainá…
¡Qué hacés, qué hacés!
que en vez de chao decís ‘gut nai’,
y ‘madmossells’
a las pebetas vos llamás…
¡Qué plato, che,
cuando te dice alguna chica:
Adiós, Mojica,
¡Qué hacés, qué hacés!

English lyrics of the Tango "Qué hacés qué hacés"

What’s up, what’s up,
you’ve suddenly stopped,
and you don’t want
to know about past friends!
Could it be
your boss was negligent,
or maybe
you got an inheritance…
What’s up, what’s up!
you dodge the crowd,
and think you’re
mommy’s pretty boy…
Funny thing,
when they shout in the neighborhood:
Goodbye, Novarro,
What’s up, what’s up!

For a few bucks that came your way,
God knows how, you’ve become conceited…
You think you’re a congressman,
but you’re just
a dressed-up fool…
For those crazy whims
you also changed your last name…
You’re no longer Pérez Gilines!
You’re Nito Anchorena Unzué!
What’s up, what’s up
with that rich guy’s act!

You think
you’re so fancy, you even paint your nails…
If everyone, hey,
always saw you working
covered in grease,
selling slices of fainá…
What’s up, what’s up!
instead of bye, you say ‘good night’,
and ‘mademoiselles’
is how you call the girls…
Funny thing,
when some girl tells you:
Goodbye, Mojica,
What’s up, what’s up!

Qué hacés qué hacés by Jesús Fernández Blanco

Qué hacés qué hacés is a Tango written by Jesús Fernández Blanco and composed by José Di Clemente.

Story behind the Tango Qué hacés qué hacés

The lyrics of “Qué hacés qué hacés” paint a picture of a character who has suddenly changed, abandoning old friends and adopting pretentious behaviors after possibly coming into some money. The narrative voice in the tango confronts this character, questioning their newfound haughtiness and detachment from their humble origins. The tango humorously critiques this character’s transformation, highlighting the shallow nature of their social ascension. The repeated phrase “Qué hacés qué hacés,” translated as “What are you doing, what are you doing,” serves as a recurring question that emphasizes disbelief and curiosity about the character’s changed ways.

Symbolism of Qué hacés qué hacés

The lyrics of the tango use symbolic language to highlight the tension between authenticity and pretense. References to changing one’s name, wearing fancy clothes (“un gil a cuadros empilchao”), and even painting one’s nails signify a departure from authenticity. The character’s rejection of their roots, symbolized by shifting from saying “chau” to “good night” and referring to girls as “mademoiselles,” underscores a superficial adoption of foreign customs to project an elevated social status. This use of language and symbolism critically portrays the pitfalls of forsaking one’s true identity for superficial gains.

Qué hacés qué hacés in historic context

“Qué hacés qué hacés” was written and recorded in Argentina in 1933, a period marked by significant social and political changes. The early 1930s were turbulent, with the country facing economic difficulties that starkly contrasted with the personal narrative of sudden wealth in the song. This backdrop makes the tango’s ridicule of social climbing particularly poignant, serving as a commentary on the broader societal obsession with wealth and status during hard times. The tango, a dance intertwined with the working-class culture of Buenos Aires, often included themes of everyday life and personal dramas, making “Qué hacés qué hacés” a reflective piece on societal values of the time.

Jesús Fernández Blanco

Jesús Fernández Blanco was a notable tango lyricist known for his poignant and sometimes humorous take on personal and social themes.