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Pobre colombina

Pobre colombina is a Tango written by Virgilio Carmona and recorded by Horacio Salgán in 1951. The Tango Pobre colombina is written by Virgilio Carmona, Horacio Salgán has recorded Pobre colombina with the singer Horacio Deval.
“Pobre Colombina” translates to “Poor Colombina” in English. This title evokes the image of Colombina, perhaps a character caught in the web of her own emotions, longing and unrequited love, as she dances through life’s masquerade. The music, like her tears, weaves a tale of tenderness and yearning, capturing the soul’s delicate dance between joy and sorrow.

Tango

Style

Horacio Salgán

Orchestra

Horacio Deval

Singer

Emilio Falero

Author

Virgilio Carmona

Composer

1951/8/2

Date

Horacio Deval
Horacio Deval
Horacio Salgán
Horacio Salgán

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Pobre colombina recorded by other Orchestras

Pobre colombina recorded by other Orchestras

Lyrics Translation of the Tango Pobre colombina

This is the translation of the Tango “Pobre colombina” from Spanish to English. The English lyrics of the Tango “Pobre colombina” have been done with AI.

Letra del Tango Pobre colombina

La fiesta está en su apogeo,

la eterna faz se quebranta…

Las mascaritas sus voces levantan,

el dios Momo canta,

ríe el dios Orfeo…

La fiesta está en su apogeo,

todo son bromas y chistes…

¡La Colombina tan sólo está triste,

de luto se viste,

no quiere cantar!



La Colombina está triste y da pena,

¡pobrecita nena,

tan linda y tan buena!

La que antes fue reina de la alegría,

sus gracias lucía

y siempre reía,

no quiere cantar,

no quiere reír…

¡Tan grande es la pena

que la hace sufrir,

que en vez de cantar,

que en vez de reír,

le pide al Supremo

la deje morir!



Es que Pierrot la ha engañado;

se fue con su mandolina

siguiendo el paso de otra Colombina,

de líneas más finas,

de pelo ondulado…

Mas no sabe que ha dejado

un corazón dolorido;

pero después volverá arrepentido,

y al ver sólo

el nido tendrá que llorar…

English lyrics of the Tango "Pobre colombina"

The party is at its peak,
the eternal face breaks…
The masks raise their voices,
god Momo sings,
god Orpheus laughs…
The party is at its peak,
it’s all jokes and jests…
Only Colombina is sad,
she dresses in mourning,
she doesn’t want to sing!

Colombina is sad, it’s heartbreaking
poor little girl,
so pretty and so kind!
She who once was the queen of joy,
showed off her charms
and always laughed,
doesn’t want to sing,
doesn’t want to laugh…
Such great sorrow
makes her suffer,
that instead of singing,
instead of laughing,
she asks the Almighty
to let her die!

It’s because Pierrot has deceived her;
he left with his mandolin
following the footsteps of another Colombina,
with finer lines,
with wavy hair…
But he doesn’t know he has left
a heart in pain;
but later he will return, remorseful,
and upon seeing only
the nest, he will have to cry…

Pobre colombina by Emilio Falero

Pobre colombina is a Tango written by Emilio Falero and composed by Virgilio Carmona.



Story behind the Tango Pobre colombina

The tango “Pobre colombina” tells a melancholic story set against the backdrop of a festive atmosphere. The lyrics describe a party in full swing, with masks and gods of myth laughing and singing. Amidst this jubilation stands Colombina, a character traditionally associated with commedia dell’arte, who is overwhelmed by sadness. The story unfolds with the revelation that Pierrot, her lover, has deceived her and left her for another. This betrayal sinks Colombina into deep grief, contrasting sharply with the surrounding festivity.



Symbolism of Pobre colombina

The use of commedia dell’arte characters such as Colombina and Pierrot adds layers of symbolism to the tango. Colombina, usually a sprightly and cunning figure, is depicted here as vulnerable and heartbroken, symbolizing the fragility of love and trust. Pierrot, her deceitful lover, represents betrayal. The festive backdrop symbolizes life’s ongoing celebration which, in tragic contrast, does not pause for personal sorrow. The phrase “de luto se viste” (clothed in mourning) further symbolizes Colombina’s immense grief that starkly contrasts with the party’s vibrancy.



Pobre colombina in historic Context

“Pobre colombina” was recorded in 1951 in Argentina, a period when tango was a deeply ingrained cultural expression often reflecting social and personal themes. Post World War II Argentina was marked by political and social changes, and tangos of this era often mirrored the melancholic sentiments of the populace. The return to themes of personal anguish and betrayal, as seen in “Pobre colombina”, might reflect a broader sense of disillusionment and loss felt by society at the time.



Emilio Falero

Emilio Falero was a notable figure in the world of tango, contributing significant lyrical content that often explored themes of love, betrayal, and existential sorrow.