Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Pobre colombina is a Tango written by Emilio Falero and composed by Virgilio Carmona.
The tango “Pobre colombina” tells a melancholic story set against the backdrop of a festive atmosphere. The lyrics describe a party in full swing, with masks and gods of myth laughing and singing. Amidst this jubilation stands Colombina, a character traditionally associated with commedia dell’arte, who is overwhelmed by sadness. The story unfolds with the revelation that Pierrot, her lover, has deceived her and left her for another. This betrayal sinks Colombina into deep grief, contrasting sharply with the surrounding festivity.
The use of commedia dell’arte characters such as Colombina and Pierrot adds layers of symbolism to the tango. Colombina, usually a sprightly and cunning figure, is depicted here as vulnerable and heartbroken, symbolizing the fragility of love and trust. Pierrot, her deceitful lover, represents betrayal. The festive backdrop symbolizes life’s ongoing celebration which, in tragic contrast, does not pause for personal sorrow. The phrase “de luto se viste” (clothed in mourning) further symbolizes Colombina’s immense grief that starkly contrasts with the party’s vibrancy.
“Pobre colombina” was recorded in 1951 in Argentina, a period when tango was a deeply ingrained cultural expression often reflecting social and personal themes. Post World War II Argentina was marked by political and social changes, and tangos of this era often mirrored the melancholic sentiments of the populace. The return to themes of personal anguish and betrayal, as seen in “Pobre colombina”, might reflect a broader sense of disillusionment and loss felt by society at the time.
Emilio Falero was a notable figure in the world of tango, contributing significant lyrical content that often explored themes of love, betrayal, and existential sorrow.