Fabrice Knecht Tango DJ

Cuna de tango

Cuna de tango is a Tango written by Francisco Barroso and recorded by José Garcia in 1944. The Tango Cuna de tango is written by Francisco Barroso, José Garcia has recorded Cuna de tango with the singer Alfredo Rojas.
The name “Cuna de tango” translates to “Cradle of Tango” in English. This title evokes a sense of origin and nurturing, suggesting a birthplace where tango’s soulful rhythms and melodies were lovingly crafted and tenderly rocked into existence. It conjures a world where passion and grace were first united, leaving an indelible mark on the heart of music itself.

Tango

Style

José Garcia

Orchestra

Alfredo Rojas

Singer

Salvador Manuel Llamas

Author

Francisco Barroso

Composer

1944/1/17

Date

Alfredo Rojas
Alfredo Rojas
José Garcia
José Garcia

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Lyrics Translation of the Tango Cuna de tango

This is the translation of the Tango “Cuna de tango” from Spanish to English. The English lyrics of the Tango “Cuna de tango” have been done with AI.

Letra del Tango Cuna de tango

El viejo farol de la esquina,

De luz mortecina

Me dice que es cierto,

Que el tango nació en Villa Crespo

Al son de candombes…

Milonga sentida,

Bajo el parral de la casita noble,

Con su cadencia cantaron los pobres

Soñaros felices las novias,

Bordando entre rosas, su tul de ilusión.



Con el recuerdo de las cosas buenas

Quiero decirte, Maldonado amigo,

Que aún quedan criollos

En tu antiguo barrio,

Los hombres que saben

De tu viejo tango,

La casa pobre,

La muchacha humilde,

En el Villa Crespo

Que te vio nacer…



El tiempo cambió la barriada,

Dejando en la mala

Mis cosas queridas.

Cambió hasta tu criolla figura,

Por la arquitectura

De tu ancha avenida…

Y esos muchachos que ya peinan canas,

Dicen tejiendo, cientos de recuerdos,

Que fue una noche de luna

Que en Maldonado, lloró un bandoneón.

English lyrics of the Tango "Cuna de tango"

The old streetlamp on the corner,
With its dim light,
Tells me it’s true,
That tango was born in Villa Crespo
To the rhythm of candombes…
Heartfelt milonga,
Under the arbor of the noble little house,
With its rhythm the poor sang
Happy dreams for the brides,
Embroidering among roses, their tulle of illusion.

With the memory of good things
I want to tell you, friend Maldonado,
That there are still natives
In your old neighborhood,
Men who know
Of your old tango,
The humble house,
The modest girl,
In the Villa Crespo
That saw you born…

Time changed the neighborhood,
Leaving behind
My beloved things.
It even changed your creole figure,
For the architecture
Of your broad avenue…
And those guys who now have gray hair,
Say weaving, hundreds of memories,
That it was a moonlit night
When in Maldonado, a bandoneon cried.

Cuna de tango by Salvador Manuel Llamas

Cuna de tango is a Tango written by Salvador Manuel Llamas and composed by Francisco Barroso.



Story behind the Tango Cuna de tango

The lyrics of “Cuna de tango” tell a nostalgic tale of the birth and transformation of the tango, specifically in the barrios of Villa Crespo, a neighborhood in Buenos Aires. Salvador Manuel Llamas uses vivid imagery to evoke the humble beginnings of tango, connecting it deeply with the local culture and the lives of the common people. As described, tango emerges in conversations among the poor under vine-covered houses, accompanied by the soulful rhythms of candombes and milongas. This setting underscores an era marked by simplicity and genuine emotion, portrayed through the activities of the locals, such as young women embroidering amidst roses.



Symbolism of Cuna de tango

Key phrases such as “el viejo farol de la esquina” (the old streetlight on the corner) and “bajo el parral de la casita noble” (under the trellis of the noble little house) symbolize the passage of time and the endurance of cultural traditions amidst changing times. The mention of “light under the trellis” symbolically represents the sheltering nature of tango music, offering a refuge and a beacon of hope and romance in tough times. The old streetlight, with its dim light, serves as a witness to the history and transformation of tango, emphasizing the theme of permanence despite inevitable change.



Cuna de tango in historic Context

The song was recorded in 1944, during a period when Argentina was experiencing significant social and economic changes. This context is crucial in understanding the tone of longing and reminiscence in the lyrics. References to “Maldonado” likely allude to the Maldonado stream in Buenos Aires, around which many tangueros lived and which underwent considerable transformations during the mid-20th century, including urbanization. The transformation from a criollo (native) culture to one influenced by broader architectural and societal changes reflects the broader cultural shifts occurring in Argentina at the time. This sentiment is captured in lamenting the loss of beloved aspects of the past as the old neighborhood changes, seen in the lines lamenting the transformation brought by new architecture and the aging of its once-young residents.



Salvador Manuel Llamas

Salvador Manuel Llamas was an Argentine lyricist known for his nostalgic and evocative tango lyrics that often reflect on personal and cultural histories.