Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Cuna de tango is a Tango written by Salvador Manuel Llamas and composed by Francisco Barroso.
The lyrics of “Cuna de tango” tell a nostalgic tale of the birth and transformation of the tango, specifically in the barrios of Villa Crespo, a neighborhood in Buenos Aires. Salvador Manuel Llamas uses vivid imagery to evoke the humble beginnings of tango, connecting it deeply with the local culture and the lives of the common people. As described, tango emerges in conversations among the poor under vine-covered houses, accompanied by the soulful rhythms of candombes and milongas. This setting underscores an era marked by simplicity and genuine emotion, portrayed through the activities of the locals, such as young women embroidering amidst roses.
Key phrases such as “el viejo farol de la esquina” (the old streetlight on the corner) and “bajo el parral de la casita noble” (under the trellis of the noble little house) symbolize the passage of time and the endurance of cultural traditions amidst changing times. The mention of “light under the trellis” symbolically represents the sheltering nature of tango music, offering a refuge and a beacon of hope and romance in tough times. The old streetlight, with its dim light, serves as a witness to the history and transformation of tango, emphasizing the theme of permanence despite inevitable change.
The song was recorded in 1944, during a period when Argentina was experiencing significant social and economic changes. This context is crucial in understanding the tone of longing and reminiscence in the lyrics. References to “Maldonado” likely allude to the Maldonado stream in Buenos Aires, around which many tangueros lived and which underwent considerable transformations during the mid-20th century, including urbanization. The transformation from a criollo (native) culture to one influenced by broader architectural and societal changes reflects the broader cultural shifts occurring in Argentina at the time. This sentiment is captured in lamenting the loss of beloved aspects of the past as the old neighborhood changes, seen in the lines lamenting the transformation brought by new architecture and the aging of its once-young residents.
Salvador Manuel Llamas was an Argentine lyricist known for his nostalgic and evocative tango lyrics that often reflect on personal and cultural histories.