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Milonguita (Esthercita)

Milonguita (Esthercita) is a Tango written by Enrique Delfino and recorded by Florindo Sassone in 1968. Florindo Sassone has recorded Milonguita (Esthercita) as an instrumental Tango.
“Milonguita (Esthercita)” translates to “Little Milonga (Little Esther)” in English. The name evokes a tender, intimate dance, capturing the essence of a youthful soul immersed in the swirling embrace of the milonga rhythm. It whispers stories of unforgettable nights and fleeting encounters, reflecting the delicate balance between innocence and passion found in the dance’s graceful steps.

Tango

Style

Florindo Sassone

Orchestra

Instrumental

Singer

Samuel Linnig

Author

Enrique Delfino

Composer

1968/5/15

Date

Instrumental
Instrumental
Florindo Sassone
Florindo Sassone

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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Milonguita (Esthercita) recorded by other Orchestras

Milonguita (Esthercita) recorded by other Orchestras

Letra del Tango Milonguita (Esthercita)

¿Te acordás, Milonguita? Vos eras

la pebeta más linda ‘e Chiclana;

la pollera cortona y las trenzas,

y en las trenzas un beso de sol.

Y en aquellas noches de verano,

¿qué soñaba tu almita, mujer,

al oír en la esquina algún tango

chamayarte bajito de amor?



Estercita,

hoy te llaman Milonguita,

flor de noche y de placer,

flor de lujo y cabaret.

Milonguita,

los hombres te han hecho mal

y hoy darías toda tu alma

por vestirte de percal.



Cuando sales por la madrugada,

Milonguita, de aquel cabaret,

toda tu alma temblando de frío

dices: ¡Ay, si pudiera querer!…

Y entre el vino y el último tango

p’al cotorro te saca un bacán…

¡Ay, qué sola, Estercita, te sientes!

Si llorás…¡dicen que es el champán!

English lyrics of the Tango "Milonguita (Esthercita)"

Do you remember, Milonguita? You were
the prettiest girl on Chiclana street;
with your short skirt and braids,
and in those braids a kiss of sun.

And on those summer nights,
what did your little soul dream, woman,
when you heard a tango on the corner
whispering love to you softly?

Estercita,
today they call you Milonguita,
flower of night and pleasure,
flower of luxury and cabaret.
Milonguita,
men have done you wrong
and today you’d give your whole soul
to dress in plain cotton.

When you leave at dawn,
Milonguita, from that cabaret,
your whole soul shivering with cold,
you say: Oh, if only I could love!…
And between the wine and the last tango,
a well-off man takes you to his place…
Oh, how lonely you feel, Estercita!
If you cry… they say it’s the champagne!

Milonguita (Esthercita) by Samuel Linnig

Milonguita (Esthercita) is a Tango written by Samuel Linnig and composed by Enrique Delfino.



Story behind the Tango Milonguita (Esthercita)

The tango ‘Milonguita (Esthercita)’ tells the poignant story of a young girl named Estercita who transforms into Milonguita, a symbol of night-time entertainment and cabaret life. Originally the most beautiful girl in Chiclana, she reminisced about her simpler, joyous past through the strands of her braided hair kissed by sunlight. However, as she explores the nightlife, her dreams and youthful innocence are marred by men’s ill-treatment, leading her to long for the simplicity of wearing plain percal cloth.



Symbolism of Milonguita (Esthercita)

The central symbol in this tango is Milonguita herself, representing both the glamor and the underlying sadness of cabaret life. Her transformation from Estercita to Milonguita symbolizes a loss of innocence and the harsh realities of adult life. The phrases “flower of night and pleasure” and “flower of luxury and cabaret” contrast strikingly with her desire to “dress in percal,” symbolizing a yearning to return to a more innocent, uncomplicated life. The repeated references to the cold she feels when leaving the cabaret at dawn and her involuntary tears, mistaken for champagne, poignantly illustrate her internal desolation and despair.



Milonguita (Esthercita) in historic Context

Recorded in 1968, “Milonguita (Esthercita)” reflects on the societal attitudes of mid-20th century Argentina. During this era, tango was not only a dance but a narrative medium that often reflected on social issues, including the exploitation and objectification of women. The character of Milonguita embodies the struggles of many women who were lured by the bright lights of cabaret with the hope of a better life, only to find themselves in vulnerable and exploitative situations. This song uses its melancholic melody and heartfelt lyrics to cast a critical eye on these social dynamics, showing the underbelly of Argentinean nightlife.



Samuel Linnig

Samuel Linnig was an Argentine poet known for his evocative and often poignant tango lyrics that captured the complexity of human emotions and societal issues.