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Portate bien que sos grande

Portate bien que sos grande is a Tango written by Gerardo Matos Rodríguez and recorded by Roberto Firpo in 1930. Roberto Firpo has recorded Portate bien que sos grande as an instrumental Tango.
“Portate bien que sos grande” translates to “Behave yourself, you’re grown up” in English. This title suggests a gentle reminder of maturity, urging one to uphold dignity and wisdom that comes with age. It speaks to the nostalgia of youth’s carefree days, contrasted with the responsibilities and grace expected in adulthood, beautifully captured in the rhythm of a Tango.

Tango

Style

Roberto Firpo

Orchestra

Instrumental

Singer

Gerardo Matos Rodríguez

Author

Gerardo Matos Rodríguez

Composer

1930/12/4

Date

Instrumental
Instrumental
Roberto Firpo
Roberto Firpo

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Portate bien que sos grande recorded by other Orchestras

Portate bien que sos grande recorded by other Orchestras

Letra del Tango Portate bien que sos grande

Che, Ruperto, por tu vieja

Cambiá el disco de tu vida,

No te acoplés a las minas

Que no estás en tu papel.

Embrocate en un espejo

Tenés la cara prohibida,

Y es un plato tu demencia,

Pues querés, de prepotencia

Ser tenorio de cartel.



No engrupís con tu chamuyo

Ni a los Santos Inocentes,

Y es inútil que te bañes

Y que te hagas depilar.

Sos el regalo más grande

Que pasea por Corrientes,

Y el terror de las pebetas,

Que al junarte la careta

Se te ponen a cantar:



Portate bien que sos grande

Por favor, encerrate en una jaula,

Vos sos un tipo ventosa,

Dedicate a cualquier cosa

Pero menos al amor.

Portate bien que sos grande

Che, farol, a vos nadie se te entrega,

Con tu pinta de fanega,

No embocás a una gallega

Ni en el Orfeón español.



Como vos, hay una punta

De fuleros pretenciosos,

Que las van de Valentino

Por las calles del trocén.

Y el que nace con tu escracho

De fenómeno coloso,

En el teatro de la vida,

Sufre al fin la sacudida

De la burla y el desdén.



Vas mortaja en los amores

Y no hay guinche que te aguante,

Y con piedra-imán sacate

Los delirios del melón.

Dejá a un lado los perfumes

Y los trajes elegantes,

Y rajá para Chiclana,

Que en el centro estás en cana

Retorná pa´ l corralón.

English lyrics of the Tango "Portate bien que sos grande"

Hey, Ruperto, for your mom’s sake,

Change the record of your life,

Don’t get attached to the girls

You’re out of your league.

Look at yourself in the mirror

Your face is off-limits,

And your madness is a dish,

Since you want, by force,

To be a billboard Don Juan.

You don’t fool anyone with your chatter,

Not even the Holy Innocents,

And it’s useless that you bathe

And that you get waxed.

You’re the biggest gift

Walking down Corrientes,

And the terror of the young girls,

Who, spotting your mask,

Start to sing:

Behave, you’re grown

Please, lock yourself in a cage,

You’re a clinging type,

Engage in anything

But love.

Behave, you’re grown

Hey, lantern, no one gives in to you,

With your sack-like appearance,

You can’t win over a Galician girl

Even at the Spanish Orfeon.

Like you, there’s a bunch

Of pretentious ugly ones,

Who pretend to be Valentino

On the streets of the outskirts.

And one born with your monstrous face,

In the theater of life,

Ends up shaken

By mockery and disdain.

You’re a shroud in love

And there’s no dance hall that can stand you,

Take those delusions of grandeur out with a magnet,

Leave the perfumes

And the fancy suits aside,

And scoot off to Chiclana,

Because downtown you’re in jail

Go back to the stockyard.

Portate bien que sos grande by Gerardo Matos Rodríguez

Portate bien que sos grande is a Tango written by Gerardo Matos Rodríguez and composed by Gerardo Matos Rodríguez.



Story behind the Tango Portate bien que sos grande

The tango “Portate bien que sos grande” translates to “Behave yourself, you are grown up” in English. The lyrics weave a narrative that is both humourous and critical, centered around a character called Ruperto. Ruperto is advised to change his ways, particularly in his approach to relationships and social interactions, as it becomes clear that his attempts at being a charismatic lover are failing miserably. The song uses colloquial language and satirical tone to highlight Ruperto’s misguided self-perception versus how society sees him.



Symbolism of Portate bien que sos grande

The lyric employs vivid imagery and metaphors to critique the social behavior of Ruperto. Phrases like “Cambiá el disco de tu vida” (change the record of your life) and “vas mortaja en los amores” (you go shrouded in loves) symbolize his need for a significant personal transformation. The repeated line, “Portate bien que sos grande,” serves as a symbolic and ironic reminder that despite being an adult, Ruperto behaves in a way that is socially and romantically immature. Instructing him to “encerrate en una jaula” (lock yourself in a cage) underscores his perceived menace to society, especially to women.



Portate bien que sos grande in historic Context

The Tango was recorded on December 4, 1930, a pivotal time in Argentina marked by economic woes and the onset of the Infamous Decade, a period characterized by political instability and corruption. These challenging times often influenced tango lyrics which reflected societal concerns, using both humor and pathos to critique and cope with the struggles of daily life. In this context, Ruperto can be seen as a figure of ridicule, embodying the failings and excesses that people wished to distance themselves from during a period of national hardship.



Gerardo Matos Rodríguez

Gerardo Matos Rodríguez was a prominent Uruguayan composer and musician, best known for his famous tango “La Cumparsita.” His works often carry a deep appreciation for the tango tradition, blending emotional depth with societal commentary.