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Milonga gris

Milonga gris is a Milonga written by Carlos Marcucci and recorded by Julio De Caro in 1938. The Milonga Milonga gris is written by Carlos Marcucci, Julio De Caro has recorded Milonga gris with the singer Luis Díaz.
“Milonga Gris,” or “Gray Milonga,” evokes a dance where melancholy intertwines with elegance, casting a nostalgic shadow across the floor. The music paints a tapestry of muted colors, where silvery whispers of longing weave through the rhythm. In this dance of somber hues, the heart finds both solace and yearning, swaying gracefully between memory and reality.

Milonga

Style

Julio De Caro

Orchestra

Luis Díaz

Singer

Mario Gomila

Author

Carlos Marcucci

Composer

1938/5/11

Date

Luis Díaz
Luis Díaz
Julio De Caro
Julio De Caro

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Lyrics Translation of the Milonga Milonga gris

This is the translation of the Milonga “Milonga gris” from Spanish to English. The English lyrics of the Milonga “Milonga gris” have been done with AI.

Letra del Milonga Milonga gris

Vieja calle Defensa donde nací,
Triste convento donde aprendí
A llorar de rodillas ante el dolor
Del Nazareno

Barrio sur de los tiempos de la invasión
En que al conjuro de un amor sagrado y puro
[vio la patria] el corazón

Barrio gris, sobre tus calles corrí feliz
Y junto al muro austero floreció mi amor primero
Barrio que en esa puerta mistonga
Cantó su flor de milonga, por su traición, mi corazón

English lyrics of the Milonga "Milonga gris"

Old Defense Street where I was born,
Sad convent where I learned
To cry on my knees before the pain
Of the Nazarene

Southern district from the times of the invasion
When, at the spell of a sacred and pure love
the homeland saw the heart

Gray neighborhood, on your streets I ran happily
And next to the austere wall, my first love bloomed
Neighborhood that at that shabby door
Sang its milonga flower, for its betrayal, my heart

Milonga gris by Mario Gomila

Milonga gris is a Tango written by Mario Gomila and composed by Carlos Marcucci.



Story behind the Tango Milonga gris

The song “Milonga gris” revolves around nostalgia and a deep affection towards a neighborhood where the narrator grew up. Through the lyrics, the narrator reflects on his formative experiences, defining love and sorrow within the streets and landmarks of his childhood. The specific reference to “Vieja calle Defensa” and the somber imagery of kneeling and weeping at the pain represented by “El Nazareno” suggest a theme of reflection and penance tied to these childhood locales.



Symbolism of Milonga gris

The recurring theme of color, specifically the use of “gris” (gray), symbolizes the melancholy and desolation felt from the betrayal of his first love, captured in the mournful tone of the song. “Milonga,” a traditional South American music and dance form known for its soulful and reflective qualities, deepens this sentiment, infusing the song with a sense of longing. The reference to “Nazareno,” which evokes images of Jesus bearing his cross, adds a layer of sacrificial suffering and transcendent forgiveness to the personal narrative of lost love and betrayed innocence.



Milonga gris in historic Context

Written and recorded in 1938, “Milonga gris” emerges during a period of significant social and political changes in Argentina, including the rise of nationalism and the lead-up to the country’s involvement in World War II. The nostalgic elements might also reflect a broader societal longing for simpler or more stable times amidst growing uncertainties. This context adds depth to the mourning for a past and perhaps a more innocent Argentina, symbolized through the personal losses described within the dense urban environment of Buenos Aires’s old neighborhoods.



Mario Gomila

Mario Gomila, an Argentine lyricist, contributed to the rich tapestry of tango with works like “Milonga gris,” encapsulating the complex emotions associated with love and loss.