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Margo

Margo is a Tango written by Armando Pontier and recorded by Armando Pontier in 1979. The Tango Margo is written by Armando Pontier, Armando Pontier has recorded Margo with the singer Roberto Goyeneche.
In the sweeping embrace of “Margo,” which translates to “Pearl” in English, the music paints a portrait of elegance and mystery. Each note shimmers like the glint of moonlight on a hidden gem, invoking the depth and allure of the ocean. The melody, much like a pearl, is timeless and exquisite, holding secrets untold within its graceful luster.

Tango

Style

Armando Pontier

Orchestra

Roberto Goyeneche

Singer

Homero Expósito

Author

Armando Pontier

Composer

1979/6/7

Date

Roberto Goyeneche
Roberto Goyeneche
Armando Pontier
Armando Pontier

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Margo recorded by other Orchestras

Margo recorded by other Orchestras

Lyrics Translation of the Tango Margo

This is the translation of the Tango “Margo” from Spanish to English. The English lyrics of the Tango “Margo” have been done with AI.

Letra del Tango Margo

Margo ha vuelto a la ciudad

con el tango más amargo,

su cansancio fue tan largo

que el cansancio pudo más.

Varias noches el ayer

se hizo grillo hasta la aurora,

pero nunca como ahora

tanto y tanto hasta volver.

¿Qué pretende? ¿A dónde va

con el tango más amargo?

¡Si ha llorado tanto Margo

que dan ganas de llorar!



Ayer pensó que hoy… y hoy no es posible…

La vida puede más que la esperanza…

París

era oscura y cantaba su tango feliz,

sin saber, pobrecita

que el viejo París

se alimenta con el breve

fin brutal de la magnolia

entre la nieve…

Después

otra vez Buenos Aires

y Margo otra vez

sin canción y sin fe…



Hoy me hablaron de rodar

y yo dije a las alturas:

Margo siempre fue más pura

que la luna sobre el mar.

Ella tuvo que llorar

sin un llanto lo que llora,

pero nunca como ahora

sin un llanto hasta sangrar.

Los amigos que no están

son el son del tango amargo…

¡Si ha llorado tanto Margo

que dan ganas de llorar!

English lyrics of the Tango "Margo"

Margo has returned to the city

with the most bitter tango,

Her weariness was so long

that the tiredness overcame her.

Several nights, the past

turned into a cricket until dawn,

but never like now

so much and so much until returning.

What is she aiming for? Where is she going

with the most bitter tango?

If Margo has cried so much

it makes you want to cry!

Yesterday she thought that today… and today it’s not possible…

Life overcomes hope…

Paris
was dark and sang her happy tango,
unaware, poor thing,
that old Paris
feeds on the brief
brutal end of the magnolia
among the snow…
Then
again Buenos Aires
and Margo again
without song and without faith…

Today they talked to me about rolling
and I said to the heights:
Margo was always purer
than the moon over the sea.
She had to cry
without a tear what weeps,
but never like now
without a tear until bleeding.
The friends who are no longer here
are the sound of the bitter tango…
If Margo has cried so much
it makes you want to cry!

Margo by Homero Expósito

Margo is a Tango written by Homero Expósito and composed by Armando Pontier.



Story behind the Tango Margo

The tango “Margo” tells the tale of a woman named Margo who has returned to her city carrying with her the burdens of a long-standing weariness magnified by the lifetime she has lived. Her comeback is marked with a “tango más amargo,” revealing a deep-seated bitterness and sadness that emanates from her experiences. The song captures her tragic emotional journey, illustrating a life of expectations crushed under the weight of reality—where hopes of the past become the unbearable truths of the present. Furthermore, Margo’s contrast with lively but shallow Paris to somber Buenos Aires sketches a poignant image of her internal desolation despite geographic changes.



Symbolism of Margo

The name “Margo,” translated to “Margot,” typically is a diminutive of Marguerite, relating to daisies – symbolizing innocence and purity. However, here, the symbolism shifts to Margo’s pure but woeful existence. Phrases like “el tango más amargo,” emphasize the bitterness infused in her life, mirroring the dance’s typically expressive melancholy transformed into a deeper personal ruefulness. The metaphorical imagery of “que el viejo París se alimenta con el breve fin brutal de la magnolia entre la nieve” evokes the harsh reality that even the most beautiful moments (magnolia) are devoured harshly by cold realities (“entre la nieve”).



Margo in historic Context

The context of 1979 Argentina, post-dictatorship era, instigates an additional layer of interpretation to “Margo”. This period was fraught with returning exiles and a society grappling with the brutal aftermath of political and social upheaval. In such a time, the portrayal of Margo’s return to a forever altered homeland resonates with a common collective heartache and the somber re-encounter with a reality, once fled or forgotten. The locations mentioned—Paris and Buenos Aires—further underscore a juxtaposition of escaping traumas and facing the unchanged, stark truth of one’s origins.



Homero Expósito

Homero Expósito was an influential Argentine lyricist known for his profound and evocative tango lyrics, deeply rooted in the narratives of love, sorrow, and existential reflection.