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Lunes (Lunes trece)

Lunes (Lunes trece) is a Tango written by José Luis Padula and recorded by Roberto Firpo in 1932. Roberto Firpo has recorded Lunes (Lunes trece) as an instrumental Tango.
“Lunes (Lunes trece),” or “Monday (Monday the Thirteenth),” dances through the air with a haunting allure. This name conjures a sense of foreboding, as if the melancholy of a typical Monday is intensified by the ominous shadow of superstition. The music weaves a tale of anticipation and mystery, inviting listeners to explore the unpredictability that lies ahead.

Tango

Style

Roberto Firpo

Orchestra

Instrumental

Singer

Francisco García Jiménez

Author

José Luis Padula

Composer

1932/3/15

Date

Instrumental
Instrumental
Roberto Firpo
Roberto Firpo

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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Lunes (Lunes trece) recorded by other Orchestras

Lunes (Lunes trece) recorded by other Orchestras

Letra del Tango Lunes (Lunes trece)

Un catedrático escarba su bolsillo

pa’ ver si un níquel le alcanza pa’ un completo…

Ayer -¡qué dulce!-, la fija del potrillo;

hoy -¡qué vinagre!-, rompiendo los boletos…

El almanaque nos bate que es lunes,

que se ha acabado la vida bacana,

que viene al humo una nueva semana

con su mistongo programa escorchador.



Rumbeando pa’l taller

va Josefina,

que en la milonga, ayer,

la iba de fina.

La reina del salón

ayer se oyó llamar…

Del trono se bajó

pa’ir a trabajar…

El lungo Pantaleón

ata la chata

de traje fulerón

y en alpargata.

Ayer en el Paddock

jugaba diez y diez…

Hoy va a cargar

carbón al Dique 3.



Piantó el domingo del placer,

bailongo, póker y champán.

Hasta el más seco pudo ser

por diez minutos un bacán.

El triste lunes se asomó,

mi sueño al diablo fue a parar,

la redoblona se cortó

y pa’l laburo hay que rumbear.



Pero, ¿qué importa que en este monte criollo

hoy muestre un lunes en puerta el almanaque?

Si en esa carta caímos en el hoyo,

ya ha de venir un domingo que nos saque.

No hay mal, muchachos, que dure cien años

y ligaremos también un bizcocho…

A lo mejor acertamos las ocho

¡y quién te ataja ese día, corazón!…

English lyrics of the Tango "Lunes (Lunes trece)"

A professor searches his pocket
to see if a nickel suffices for a meal…
Yesterday–how sweet!–the sure bet on the colt;
today–how sour!–tearing up the tickets…

The calendar reveals it’s Monday,
the lavish life has ended,
a new week rolls in like smoke
with its punishing, pitiful schedule.

Heading to the workshop
goes Josefina,
who last night at the dance
played the elegant lady.
The queen of the ballroom
was called yesterday…
From her throne, she stepped down
to go to work…
Tall Pantaleón
ties up the cart
in shabby clothes
and espadrilles.
Yesterday at the Paddock
he wagered ten and ten…
Today he’ll load
coal at Dock 3.

Gone is the Sunday of delight,
dance, poker, and champagne.
Even the driest could feel
like a big shot for ten minutes.
Then came the dreary Monday,
my dreams went to hell,
the winning streak broke,
and to work, we must go.

But what does it matter that in this native land
today the calendar shows a Monday at the door?
If in this round we’ve fallen into a hole,
surely a Sunday will come to pull us out.
No affliction, guys, lasts a hundred years
and we’ll also snag a sweet deal…
Maybe we’ll hit the jackpot
and who can stop us then, my heart!…

Lunes (Lunes trece) by Francisco García Jiménez

Lunes (Lunes trece) is a Tango written by Francisco García Jiménez and composed by José Luis Padula.



Story behind the Tango Lunes (Lunes trece)

“Lunes (Lunes trece)” translates to “Monday (Monday the thirteenth)” in English, capturing the essence of a typical unlucky Monday following the joys and escapades of the weekend. The lyrics poetically explore the stark contrast between the leisurely weekend and the harsh reality of the workweek beginning anew. Francisco García Jiménez uses vivid characters and scenes to illustrate a universal theme of cyclical routine where high hopes often meet mundane realities.



Symbolism of Lunes (Lunes trece)

Jiménez infuses the tango with rich symbolism, particularly through the juxtaposition of Sunday’s joy and Monday’s despair. Phrases like “Un catedrático escarba su bolsillo” and “Ayer en el Paddock jugaba diez y diez… Hoy va a cargar carbón al Dique 3” highlight the drastic shift from leisure and opulence to the grind and grit of daily work. The recurrent mention of the days of the week underscores the cyclical, almost inevitable nature of this shift, suggesting a fatalistic view of weekly toil. The characters, from Josefina going from being a queen to a worker, represent the universal return to reality faced by all after the temporary escapism of the weekend.



Lunes (Lunes trece) in Historic Context

The tango was recorded in 1932, a period in Argentina marked by economic challenges and political instability, which may have influenced its themes of financial strain and escapism. The lyric “Si en esa carta caímos en el hoyo, ya ha de venir un domingo que nos saque,” reflects a common public sentiment of hope for better times amid adversity. The mention of specific locations like “Dique 3,” a known area in Buenos Aires, roots the tango in real societal settings, making it relatable to its original audiences.



Francisco García Jiménez

Francisco García Jiménez was a renowned lyricist and writer whose works often captured the socio-cultural landscapes of early 20th century Argentina, reflecting both its beauty and trials.