Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
La reja is a Tango written by Manuel Meaños and composed by Carlos Marcucci.
“La reja” translates to “The fence” in English, symbolizing a physical and emotional boundary in the tango. The lyrics narrate the love story of a couple who met at sunset near a fence, where their love blossomed and they shared promises. However, the romance meets a sorrowful end as the man deceives and abandons the woman, leaving her to revisit the fence alone, reminiscing their past love with tears.
The fence (“la reja”) in the tango serves as a powerful symbol of the phases of a romantic relationship. Initially, it is a meeting point where the lovers share promises and intimate moments, symbolizing the hopeful beginnings of love. As the story progresses, the same fence becomes a place of sorrow and betrayal, reflecting on the fragility and transient nature of their love. Key phrases like “solloza al recordar aquel amor de ayer” (sobs while remembering yesterday’s love) emphasize the heartache and longing for a lost love.
The tango was recorded in 1956, a period in Argentina marked by political and social transitions. This context of uncertainty and change possibly mirrors the fleeting and unstable relationship portrayed in the tango. The geographical setting, likely in Buenos Aires, with its rich tango culture, emphasizes the dramatic and passionate nature of the dance and music fitting the emotional depth of the lyrics.
Manuel Meaños was an Argentine tango lyricist known for his contributions to the genre during the mid-20th century.