Fabrice Knecht Tango DJ

Juramento (2)

Juramento (2) is a Tango written by C. Conzitti and recorded by Edgardo Donato in 1931. Edgardo Donato has recorded Juramento (2) as an instrumental Tango.
“Juramento (2),” translated as “Oath (2),” evokes a powerful sense of promise and longing. This piece envelops us in an unwavering vow, a commitment echoing through every note, compelling the heart to listen deeply. As the melody unfolds, it resonates with the weight of a solemn pledge, capturing moments of both tenderness and resolve.

Tango

Style

Edgardo Donato

Orchestra

Instrumental

Singer

Author

C. Conzitti

Composer

1931/1/1

Date

Instrumental
Instrumental
Edgardo Donato
Edgardo Donato

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Julio De Caro – No hay tierra como la mia – 1939/9/7
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Roberto Firpo – A la luz del candil – 1927/6/11
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Roberto Firpo – El talento – 1941/1/8
Roberto Firpo – Una promesa – 1929/11/15
Roberto Firpo – Sangre maleva – 1929/4/14
Astor Piazzolla – Chiquilín de Bachín – 1982/5/30
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Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1931/1/1 – A la deriva – Osvaldo Fresedo
1931/1/1 – Amo a usted tanto – Osvaldo Fresedo
1931/1/1 – Barranca abajo (2) – Osvaldo Fresedo
1931/1/1 – Bigotito – Osvaldo Fresedo
1931/1/1 – Canto Siboney – Osvaldo Fresedo

Juramento (2) recorded by Edgardo Donato


Juramento (2) is an instrumental Tango composed by C. Conzitti.



Interpretation of Juramento (2)

The title “Juramento” translates to “Oath” in English, suggesting a solemn promise or a deep commitment. As an instrumental piece performed by the Edgardo Donato orchestra, you can imagine “Juramento (2)” as a passionate and evocative tango that captures the intensity of making such a promise. The music might begin with a moody and suspenseful introduction, reflecting the seriousness of the oath. The middle section could swell with dramatic melodies and syncopated rhythms, symbolizing the emotional weight and gravity of the promise being made. Towards the end, it might resolve with a sense of fulfillment and resolution, leaving the listener with a feeling of heartfelt conviction.



Edgardo Donato and Juramento (2)

Edgardo Donato, renowned for his lively and dynamic contributions to the tango genre, brings “Juramento (2)” to life with his orchestra’s unique style. Known for their ability to convey deep emotion through music, Donato and his ensemble infuse the piece with energy, allowing each instrument to narrate part of the oath’s story. The violins might express longing and devotion, while the bandoneón provides a poignant undertone of melancholy and determination. In the hands of Edgardo Donato’s orchestra, “Juramento (2)” becomes more than just a dance; it transforms into a profound musical exploration of promises and the emotions they entail.