Fabrice Knecht Tango DJ
Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Es mejor olvidar is a Tango written by Eduardo Parula and composed by Héctor Stamponi.
“Es mejor olvidar,” translating to “It’s better to forget,” reveals a narrative embroidered with agony, reconciliation, and a profound sense of resignation. The lyrics describe an encounter with a figure overwhelmed by despair and sorrow, seemingly at the end of their emotional tether. The narrator offers their heart in a sacrificial, healing manner, attempting to “renew [the other’s] life” by metaphorically becoming “blood from [the person’s] own wound.” This act of empathy, however deeply it was meant to heal, ends with an introspection that concludes forgetting is a better path forward, underlining a poignant resignation to the futility of overcoming certain pains.
The tango is laden with symbolism that emphasizes the gravity and despair of emotional wounds that refuse to heal. Phrases like “Fui sangre/De tu propia herida” (I was blood/From your own wound) symbolize a deep, sacrificial empathy that endeavors to heal from within – suggesting perhaps that some internal injuries in life are only amended through personal sacrifice. Yet, the recurring motif, “Quiero vivir sin pensar” (I want to live without thinking), speaks to a deliberate choice to avoid dwelling on past torment, reinforcing the core message of the song that sometimes, letting go is the only way to move forward and find peace.
Recorded in 1959, a period marked by varied political and social transitions in Argentina, “Es mejor olvidar” may reflect the nation’s collective subconscious effort to heal from its own historical wounds. During this era, Argentina was navigating through a series of political shifts and economic challenges that would have influenced its cultural output, making the theme of forgetting and moving forward particularly resonant. The tango, a genre rooted in expressions of raw human emotions and traditionally a reflection of the working class’s hardships, turns into a medium through which universal themes of adversity, recovery, and dismissal can be explored and empathized with.
Eduardo Parula was a lyricist known for his contributions to the Argentine tango genre, capturing deep emotional and cultural sentiments through his narratives.