Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
El once (A divertirse) is an instrumental Tango composed by Osvaldo Fresedo.
Translated to English, “El once (A divertirse)” means “The Eleven (To Have Fun).” This tango invites listeners to embrace spontaneity and joy. The number “eleven” might signify a moment when the night deepens, and the dancers are fully immersed in the energy of the tango, riding on delicate rhythms and vibrant melodies. The piece likely starts with a compelling introduction, dominated by vigorous violin and bandoneón, creating rich textures and a lively atmosphere. As it progresses, the music might transition between dynamic sections of passionate, rhythmic strides and more playful, light-hearted passages, inviting dancers to exude elegance and flair, capturing the essence of enjoyment. This duality between intensity and lightness, hallmark traits of tango, is expertly woven by Fresedo’s composition and brought to life by D’Arienzo’s orchestra.
Juan D’Arienzo, known as “El Rey del Compás” (The King of Rhythm), brings his signature vigorous style to “El once (A divertirse),” enhancing its celebratory and lively spirit. With his orchestra, D’Arienzo infuses the piece with a rhythmic vitality that reflects both tradition and innovation in tango music. His interpretation accentuates the upbeat and dynamic nature inherent in Fresedo’s composition, making it a lively piece meant for both listening pleasure and dancing enjoyment. D’Arienzo’s ability to captivate audiences with driving tempos and precise execution is well reflected in this recording, ensuring “El once (A divertirse)” remains a beloved fixture in the tango repertoire, perfect for energizing tango gatherings with its cheerful and buoyant essence.