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Chuzas (2)

Chuzas (2) is a Tango written by Agustín Bardi and recorded by Alfredo Gobbi in 1949. Alfredo Gobbi has recorded Chuzas (2) as an instrumental Tango.
“Chuzas (2)” translates to “Strikes (2)” in English. In this evocative piece, the term “strikes” hints at the sudden, piercing emotions that tango embodies—each note a deliberate blow to the heart. The music weaves a story of passion and resilience, echoing life’s unpredictable rhythm where each “chuza” resonates with both longing and defiant grace.

Tango

Style

Alfredo Gobbi

Orchestra

Instrumental

Singer

Author

Agustín Bardi

Composer

1949/12/21

Date

Instrumental
Instrumental
Alfredo Gobbi
Alfredo Gobbi

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Orquesta Símbolo Osmar Maderna – Papá Baltasar – 1960/10/14
Orquesta Símbolo Osmar Maderna – Gardenias – 1959/8/18
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Carlos Gardel – Yo tuyo soy tuyo es mi amor – 1924/1/1
Carlos Gardel – El carretero – 1922/1/1
Carlos Gardel – Aquel tapado de armiño – 1929/6/20
Carlos di Sarli – Ausencia – 1940/8/5
Carlos di Sarli – El Caburé – 1946/8/1
Carlos di Sarli – La viruta – 1952/12/12
Carlos di Sarli – Vamos – 1944/5/24
Carlos di Sarli – La mulateada – 1941/11/20
Horacio Salgán Y Dante Amicarelli – Pimienta – 1971/1/1
Horacio Salgán Y Dante Amicarelli – Bonita (2) – 1970/1/1
Horacio Salgán Y Dante Amicarelli – Laura – 1971/1/1
Horacio Salgán Y Dante Amicarelli – Malambo de las campanas – 1970/1/1
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Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Chuzas (2) recorded by other Orchestras

Chuzas (2) recorded by other Orchestras

1949/12/21 – Rie payaso – Florindo Sassone
1949/12/21 – Serenata criolla – Florindo Sassone
1949/12/21 – Sombras – Alfredo Gobbi
1949/12/19 – El potro – Juan D-Arienzo
1949/12/19 – Mi carinito – Juan D-Arienzo
Chuzas (2) – 1949/5/4 – Osvaldo Pugliese – Instrumental
Chuzas (2) – 1949/12/21 – Alfredo Gobbi – Instrumental

Chuzas (2) recorded by Alfredo Gobbi


Chuzas (2) is an instrumental Tango composed by Agustín Bardi.



Interpretation of Chuzas (2)

The title “Chuzas (2)” can be translated to English as “Bowling (2)”. As an instrumental tango, “Chuzas (2)” might evoke the dynamic and rhythmic pulse of a lively bowling alley. The music could playfully mimic the rolling of a bowling ball as it smoothly glides down the lane, picking up intensity and anticipation until it crashes into the pins. Listeners might imagine a back-and-forth between moments of swift movement and sudden stillness, as the orchestra uses varying tempos and energetic phrasing to capture this spirited, recreational atmosphere. The number ‘(2)’ could hint at a sequel or secondary theme, suggesting a nuanced variation within the piece.



Alfredo Gobbi and Chuzas (2)

As led by Alfredo Gobbi, the tango orchestra would imbue “Chuzas (2)” with its characteristic elegance and precision. Gobbi, known for his sophisticated interpretations and deeply rooted connection to traditional tango, would likely emphasize the intricate interplay between the instruments, achieving a delicate balance that highlights both the piece’s vivaciousness and its sophisticated musical layers. In performances of “Chuzas (2)”, Gobbi’s orchestra would seamlessly blend expressive violin sweeps with energetic bandoneón flourishes, providing listeners with a vivid and engaging auditory journey.