Fabrice Knecht Tango DJ

El altar de los claveles

El altar de los claveles is a Pasodoble written by and recorded by Roberto Firpo in 1930. Roberto Firpo has recorded El altar de los claveles as an instrumental Pasodoble.
“El altar de los claveles,” or “The Altar of the Carnations,” evokes a scene both tender and sacred. It suggests a place where emotions are revered, each carnation a symbol of passion and remembrance. In this melodic tango, the dance becomes a ritual, where each step is an offering at this altar of love and memory.

Pasodoble

Style

Roberto Firpo

Orchestra

Instrumental

Singer

Author

Composer

1930/6/12

Date

Instrumental
Instrumental
Roberto Firpo
Roberto Firpo

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Edgardo Donato – Fue mi salvación – 1940/11/22
Nuevo Quinteto Real (Horacio Salgán) – Corralera – 1987/1/1
Nuevo Quinteto Real (Horacio Salgán) – Mal de amores – 1987/1/1
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Nuevo Quinteto Real (Horacio Salgán) – El choclo – 1987/1/1
Nuevo Quinteto Real (Horacio Salgán) – La puñalada – 1987/1/1
Armando Pontier – El amanecer – 1958/8/12
Armando Pontier – Bésame mi amor – 1957/7/22
Armando Pontier – Casas viejas – 1979/5/22
Armando Pontier – El pescante – 1968/9/23
Armando Pontier – No aflojes – 1979/6/5
Ricardo Malerba – Una copa mas – 1944/10/16
Ricardo Malerba – Pasado florido – 1945/4/4
Ricardo Malerba – En los jardines de Granada – 1961/1/1
Ricardo Malerba – A bailar – 1943/11/8
Ricardo Malerba – Amor con amor se paga – 1944/6/30

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1930/6/12 – Chirolita – Roberto Firpo
1930/6/16 – Palito – Carlos di Sarli
1930/6/7 – Bailemos
Pebeta – Roberto Firpo
1930/6/7 – No la contes grande – Roberto Firpo
1930/6/7 – Usted me quiere – Roberto Firpo

El altar de los claveles recorded by Roberto Firpo


El altar de los claveles is an instrumental Tango composed by .



Interpretation of El altar de los claveles

“El altar de los claveles” translates to “The Altar of the Carnations” in English. Imagining this title as an instrumental piece, one could envision a rich, evocative melody reminiscent of a momentous ceremony or poignant celebration. The music might open with a gentle, reverent introduction, with lush strings and soft piano chords, symbolizing the beautiful carnations adorning the altar.



As the piece progresses, the tempo could pick up, and the rhythm becomes more intricate, perhaps using the bandoneón to evoke a sense of nostalgia and deep emotion. This reflects the passionate nature of Argentine tango, full of longing and elegance. The crescendo leads to a lively dance section, where the whole orchestra joins in, portraying the vibrant colors and lively spirits associated with the scene. Ultimately, the piece might conclude with a tender, reflective passage, once again highlighting the timeless beauty and emotional significance of “The Altar of the Carnations.”



Roberto Firpo and El altar de los claveles

Roberto Firpo was a renowned Argentine tango musician, recognized for his contributions to the tango genre. With this composition, “El altar de los claveles,” Firpo’s orchestra might have brought out a sophisticated interpretation, characterized by the profound emotions typical of tango music. The recording from 1930 would likely illustrate Firpo’s distinct style of combining traditional and innovative elements, capturing the intricate sentiment of the piece.