Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Dejame ser así is a Tango written by Francisco Gorrindo and composed by Enrique Rodríguez.
The tango “Dejame ser así” encapsulates a powerful narrative of self-acceptance and personal authenticity. It expresses a plea from the singer to be allowed to love and live in their own distinct way. The lyrics poetically argue that emotions and affections cannot be confined or standardized, symbolizing a broader plea for understanding and acceptance of individual differences. The singer compares himself to wild thistles, toughened by harsh weather yet capable of blooming beautifully, suggesting resilience and potential despite an unrefined exterior.
The imagery of “cardos del potrero” (thistles in the field) stands out as a potent symbol in this tango. It powerfully conveys the idea of resilience, natural strength, and unexpected beauty. This metaphor not only underscores the singer’s self-image but also reflects the beauty of raw, untempered nature and emotions. The contrasts in the imagery—between ruggedness and the ability to flower—beautifully symbolize the complex layers of human emotions and personality. Additionally, the request to not be held in “molds” or “reins” echoes a universal desire for freedom in expression and being.
Recorded in 1938 Argentina, “Dejame ser así” arrives at a time when tango was both a popular cultural expression and a reflection of deeper societal conditions. The late 1930s in Argentina were marked by political and social turbulence, and tangos of the era often veiled critiques or reflections of society within their melancholy melodies and lyrics. In this turbulent context, the emphasis on personal authenticity can also be read as a subtle commentary on broader issues of identity and societal expectations in a changing world.
Francisco Gorrindo was known for his emotive and poignant lyrical contributions to the genre of tango, often weaving complex human emotions into his works.