Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Chorra is a Tango written by Enrique Santos Discepolo and composed by Enrique Santos Discepolo.
“Chorra,” composed in 1928 by Enrique Santos Discepolo, tells the story of betrayal and deceit. The narrator expresses anguish over being exploited by a deceitful woman who he once trusted. The Tango speaks about the emotional and financial devastation the woman caused him, having stolen not just his possessions but also his love and trust. The lyrics of Chorra detail how the protagonist was naive and how he incorporates a reflection on his misjudgments and gullibility in matters of both heart and finance.
The term “Chorra” translates to “thief” in English, symbolically representing not only physical theft but also emotional betrayal. The word is powerful within the context as it conveys the depth of deception experienced by the narrator. Phrases like “me dejaste en la palmera” and “me afanaste hasta el color” symbolize the total loss the narrator feels, indicating not just a loss of material goods but a draining of life and vibrancy itself. The repetitive use of theft-related terminology underscores the themes of deceit and exploitation that are central to the tango.
The Tango was created in 1928, a period marked by social and economic transition in Argentina. During this era, Tango often reflected the struggles and emotions of the urban lower classes. “Chorra” is set against this backdrop, with its narrative of deceit perhaps mirroring the socioeconomic betrayals felt by many during this era. Discepolo uses the Tango to critique those who exploit the vulnerabilities of others, which resonated with many who felt marginalized or exploited in the rapidly changing society of Buenos Aires. Furthermore, references to “la treinta y tres” could indicate a specific location, known for notorious activities, thus grounding the story in real-world societal issues.
Enrique Santos Discepolo was a prominent Argentine tango and milonga musician and composer, also known for his profound and thought-provoking lyrics.