Che Bartolo by Enrique Cadícamo

Che Bartolo is a Tango written by Enrique Cadícamo and composed by Rodolfo Sciammarella.

Story behind the Tango Che Bartolo

The tango “Che Bartolo” narratively unfolds as a verbal confrontation or commentary aimed at a character named Bartolo, engaging him with a mix of criticism and sarcasm over his attempts to elevate his status pretentiously. The singer seems to admonish Bartolo for trying to disassociate from his humble origins and pretend to be a noble figure, lampooning his exaggerated airs and graces that do not match his actual background. The song lyrically strips down Bartolo’s facade, pointing out the contrast between his pretensions and reality, using vivid tango slang that captures the essence of disdain heaped on social climbers of the era.

Symbolism of Che Bartolo

The tango uses strong symbolism and street language to unpack Bartolo’s pretense. Words like “monóculo insolente” (insolent monocle) and “empilche tan debute” (such fancy clothes) suggest a fake aristocratic air. Meanwhile, phrases such as “sólo tu prontuario” (only your record) underline how Bartolo’s true identity is tied to less favorable backgrounds, much like a criminal record that he cannot escape, despite social posturing. The song reflects tango’s roots in the lower-class urban sectors, using colloquial language and cultural codes to critique societal norms and the notion of fraudulent social mobility.

Che Bartolo in historic Context

Historically, “Che Bartolo” was written in 1928, a period when tango music often hosted narratives of common folks, their struggles, and their critiques of social pretensions. The economic context of Argentina during this period was one of rapid growth but also increasing social disparities. Buenos Aires was a melting pot of immigrants and rural Argentines trying to find economic footing in an increasingly complex society. This milieu reflects the social commentary in “Che Bartolo,” where critiques of those attempting to overstep their social standing through superficial means were common. The reference to “Tabarís,” a popular theater, heightens the emphasis on public displays of status and entertainment prevalent in the era.

Enrique Cadícamo

Enrique Cadícamo was a prolific Argentine lyricist and playwright known for his significant contributions to the tango genre. His works often encapsulated the dramatic elements of city life and romantic nostalgia.