Fabrice Knecht Tango DJ

Bien porteña

Bien porteña is a Milonga written by Enrique Alessio and recorded by Juan D’Arienzo in 1957. Juan D’Arienzo has recorded Bien porteña as an instrumental Milonga.
“Bien porteña,” translating to “Truly from Buenos Aires,” captures the soul of the city in each note. This music embodies the essence of a porteña’s life, echoing the vibrant streets and the melancholy of the tango. It’s a dance between nostalgia and passion, painting a portrait of Buenos Aires with each melody.

Milonga

Style

Juan D'Arienzo

Orchestra

Instrumental

Singer

Author

Enrique Alessio

Composer

1957/6/13

Date

Instrumental
Instrumental
Juan D'Arienzo
Juan D’Arienzo

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Nuevo Quinteto Real (Horacio Salgán) – Gallo ciego – 1987/1/1
Nuevo Quinteto Real (Horacio Salgán) – Ensueños – 1987/1/1
Florindo Sassone – Para qué vivir así – 1951/11/21
Florindo Sassone – Carillón de La Merced – 1973/1/1
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Florindo Sassone – Una lágrima tuya – 1968/5/15
Florindo Sassone – La morocha – 1973/1/1
José De Alto (Dir. José Basso) – Rosicler – 1959/9/14
José De Alto (Dir. José Basso) – Milonguita (Esthercita) – 1959/9/14
José De Alto (Dir. José Basso) – Nunca tuvo novio – 1959/9/14
José De Alto (Dir. José Basso) – Yo no sé por qué te quiero – 1959/9/14
Horacio Salgán – Gallo ciego – 1950/12/29
Horacio Salgán – Tierra querida – 1963/1/1
Horacio Salgán – Recuerdo – 1963/1/1
Horacio Salgán – Del uno al cinco – 1965/1/1
Horacio Salgán – Pobre colombina – 1951/8/2

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1957/6/13 – No te quiero mas – Juan D-Arienzo
1957/6/18 – Cuanta angustia – Miguel Calo
1957/6/18 – Mientras viva – Miguel Calo
1957/6/18 – El engobbiao – Alfredo Gobbi
1957/6/18 – La ultima curda – Alfredo Gobbi

Bien porteña recorded by Juan D’Arienzo

Bien porteña is an instrumental Tango composed by Enrique Alessio.

Interpretation of Bien porteña

“Bien porteña” translates to “very much from Buenos Aires” or “quintessentially from Buenos Aires” in English. As an instrumental tango, the piece serves as a vibrant and rhythmic homage to the spirit and essence of the city. The orchestra, led by Juan D’Arienzo, often characterized by its energetic rhythm and driving beat, captures the bustling life, rich culture, and fervent emotions of Buenos Aires. The music pulsates with a lively tempo that reflects the heart of the porteño identity, indulging in the passion and dynamic movement that tango embodies, while celebrating the unique flavor of the city and its people.

Juan D’Arienzo and Bien porteña

Juan D’Arienzo, known as the “King of the Beat,” brought a new level of energy to tango music, revitalizing it during a time when its popularity had waned. With “Bien porteña,” D’Arienzo, in collaboration with composer Enrique Alessio’s work, delivers a powerful performance that encapsulates the vivacity and elegance of tango. The beat is precise and compelling, driving dancers to respond with intensity and flair. D’Arienzo’s interpretation is a fiesta of rhythm that underlines the cultural heartbeat of Buenos Aires, honoring the authenticity and vibrancy of its roots. This piece stands as a testament to the enduring appeal and timeless beauty of the tango, a dance and music form that defines the city’s history and soul.