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Aquel silbido

Aquel silbido is a Tango written by Jorge Elizalde and recorded by Enrique Rodríguez in 1943. The Tango Aquel silbido is written by Jorge Elizalde, Enrique Rodríguez has recorded Aquel silbido with the singer Armando Moreno.
“Aquel silbido,” translated into English as “That Whistle,” evokes a sense of nostalgia and longing. This piece captures the haunting melody of a distant memory, much like a fleeting echo that lingers in the heart. It speaks of a time when a simple sound could stir the deepest emotions and transport one to moments lost but cherished.

Tango

Style

Enrique Rodríguez

Orchestra

Armando Moreno

Singer

Mario Batistella

Author

Jorge Elizalde

Composer

1943/2/18

Date

Armando Moreno
Armando Moreno
Enrique Rodríguez
Enrique Rodríguez

Discover Other Orchestras

Miguel Caló – Cómo le digo a la vieja – 1954/6/15
Miguel Caló – Cada dia te extraño mas – 1965/1/1
Miguel Caló – Sin comprender – 1947/4/25
Miguel Caló – Nostalgias – 1948/8/9
Miguel Caló – Carriego – 1948/1/5
Héctor Varela – Pa’ que se luzca la orquesta – 1964/4/9
Héctor Varela – La cachila – 1967/5/16
Héctor Varela – Gota de lluvia – 1956/8/1
Héctor Varela – Cariñito – 1958/7/17
Héctor Varela – Si supiera que la extraño – 1956/11/30
Aníbal Troilo – Dale Tango – 1966/4/18
Aníbal Troilo – Fogon de huella – 1971/6/24
Aníbal Troilo – Un tango para Esthercita – (unknown date)
Aníbal Troilo – Buen amigo – 1946/7/10
Aníbal Troilo – Sólo se quiere una vez – 1946/9/25
Enrique Francini – El gurí – 1956/3/7
Enrique Francini – Alguien – 1956/1/19
Enrique Francini – Un tango para el recuerdo – 1956/3/7
Enrique Francini – El buey solo – 1970/7/15
Enrique Francini – Milonga con variación (Milonga con variaciones) – 1970/12/18

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1943/2/18 – El tucu tun – Enrique Rodriguez
1943/2/20 – Nocturno de tango – Jose Garcia
1943/2/20 – Para negros solamente – Jose Garcia
1943/2/12 – Embrujamiento – Ricardo Malerba
1943/2/12 – Remembranza (Remembranzas) – Ricardo Malerba

Lyrics Translation of the Tango Aquel silbido

This is the translation of the Tango “Aquel silbido” from Spanish to English. The English lyrics of the Tango “Aquel silbido” have been done with AI.

Letra del Tango Aquel silbido

Siempre aquel silbido
Me persigue al recordar, (silbido)

Barrio de ensueño
Donde el mío está encerrado,
Soy una sombra
De tu pasado.
Calle Corrientes
Fiel testigo de mi vida,
Donde mi vida
Vuelta a vuelta me jugué.

Me ahoga el llanto
Ver que hoy talla tanto artero,
Triste, entregada, al forastero.
Te quise tanto
Perdoname si me quejo,
Yo ya estoy viejo
Para andarme con “chiqué”.

Aquel silbido…
Aquel silbido, me enloquece, me envenena
Porque aviva las cenizas de mi ayer.
Aquel silbido…
Que es la causa de mis penas,
Era la clave de un gran querer.
Aquel silbido…
Sigue mis huellas cual si fuera una obsesión.
Me hace mucho daño el recordar,
Quiero para siempre terminar
Con la angustia de mi corazón.

Calle Corrientes
Vos entonces no eras ancha,
Pero tenías mucho más cancha.
Con tantas vueltas
Si pensás que me he cabreado,
Que ando boleado como perro cimarrón.

Siempre aquel silbido
Me persigue al recordar,(silbido)

English lyrics of the Tango "Aquel silbido"

That whistle always
Haunts me when I remember,

Dreamy neighborhood
Where mine is locked away,
I am a shadow
Of your past.
Corrientes Street,
True witness of my life,
Where I gambled
My life, turn by turn.

Tears drown me
Seeing today’s sly carvings,
Sad, surrendered, to the stranger.
I loved you so much,
Forgive me if I complain,
I am too old
For these tricks.

That whistle…
That whistle, it drives me crazy, it poisons me
Because it stirs the ashes of my past.
That whistle…
Is the cause of my sorrow,
It was the key to a great love.
That whistle…
Follows my tracks as if obsessed.
Remembering hurts so much,
I want to end forever
The anguish in my heart.

Corrientes Street,
You were not wide back then,
But you had much more flair.
With all its twists and turns
If you think I’ve gotten angry,
That I’m as lost as a stray dog.

That whistle always
Haunts me when I remember.

Aquel silbido by Mario Batistella

Aquel silbido is a Tango written by Mario Batistella and composed by Jorge Elizalde.



Story behind the Tango Aquel silbido

The essence of “Aquel Silbido” delves into the depths of nostalgia and personal reflection. The lyricist, Mario Batistella, takes the audience through a journey of his past, vividly bringing to life the streets of his memories, specifically Calle Corrientes. This tango tells a story of loss, aging, and the longing for a love once vibrant and now just a haunting memory. The recurring whistle (“silbido”) ties these reflections together, acting as a poignant auditory symbol that triggers vivid recollections and emotions.



Symbolism of Aquel silbido

The whistle symbolizes an echo from the past that pierces the present, evoking deep emotional responses. It serves as a relentless reminder of what was once treasured and is now lost. The mention of Calle Corrientes as narrower but more vibrant in the past underlines the theme of change and perhaps loss of cultural richness in the face of modernization. The phrases “Me hace mucho daño el recordar” and “Con la angustia de mi corazón” amplify the suffering the narrator endures every time he recalls his past, driven by the haunting sound of the whistle.



Aquel silbido in historic Context

Recorded in 1943, during a period when Argentina was undergoing significant social and political changes, “Aquel Silbido” resonates with a sense of personal and collective nostalgia. This era was marked by the rise of nationalism and a strong sense of identity which often reflected in its art. Buenos Aires, and particularly Calle Corrientes, was transforming rapidly, moving from the old to the new. This context embellishes the song with an added layer of melancholy for the times and traditions slipping away.



Mario Batistella

Mario Batistella was an integral figure in the Argentine tango scene, known for his poignant lyrics that often reflected personal and societal narratives.