Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Yira yira is a Tango written and composed by Enrique Santos Discepolo.
The lyrics of “Yira yira” depict a poignant narrative of despair and disillusionment, conveying the harsh realities faced by individuals in times of adversity. The central theme explores the relentless and cyclical nature of misfortune, where efforts seem futile, and hope fades amidst overwhelming challenges. Discepolo uses vivid imagery of desolation, such as bereftness of faith and the struggle for daily sustenance, to emphasize the depth of despair experienced by the protagonist.
Heavy symbolism runs through “Yira yira,” where everyday elements acquire deeper meanings to reflect life’s grim realities. The phrase “cuando rajés los tamangos buscando ese mango que te haga morfar” illustrates desperation in survival, using shoes worn thin (tamangos) and fruit (mango) as metaphors for basic necessities. “Yira yira,” which translates roughly to “everything spins” in English, symbolizes the endless and unchanging cycle of suffering. It challenges the listener to recognize the indifference of the world — “que es sordo y es mudo” (deaf and mute) — which underscores the theme of isolation and abandonment.
Written during the early 1930s in Argentina, “Yira yira” reflects a period of significant social and economic upheaval. The Great Depression had a profound impact on Argentine society, leading to widespread poverty and disillusionment. Discepolo’s lyrics resonate with the angst and insecurity of this era, capturing the collective sense of betrayal and the crumbling of previously held beliefs about solidarity and compassion in society.
Enrique Santos Discepolo was an influential Argentine musician and playwright, renowned for his critical and insightful tango lyrics that often reflected socio-political themes.