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Tres y dos (3 y 2)

Tres y dos (3 y 2) is a Tango written by Aníbal Troilo and recorded by Aníbal Troilo in 1946. Aníbal Troilo has recorded Tres y dos (3 y 2) as an instrumental Tango.
“Tres y dos (3 y 2)” translates to “Three and Two” in English, capturing a sense of rhythm and balance. This title evokes the delicate dance between harmony and tension, as if life itself were set to the beats of a tango. The interplay of numbers suggests moments of anticipation and resolution, a musical journey where each step holds its own story.

Tango

Style

Aníbal Troilo

Orchestra

Instrumental

Singer

Author

Aníbal Troilo

Composer

1946/5/14

Date

Instrumental
Instrumental
Aníbal Troilo
Aníbal Troilo

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Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1946/5/14 – Con mi perro – Anibal Troilo
1946/5/13 – El vuelo del moscardon – Osmar Maderna
1946/5/13 – Mientras duerme la ciudad – Osmar Maderna
1946/5/16 – Espera de esquina – Ricardo Tanturi
1946/5/16 – Viejo ciego – Ricardo Tanturi

Tres y dos (3 y 2) recorded by Aníbal Troilo


Tres y dos (3 y 2) is an instrumental Tango composed by Aníbal Troilo.


Interpretation of Tres y dos (3 y 2)


The title “Tres y dos (3 y 2)” translates to “Three and Two” in English. This could reflect a time signature or rhythm change that is a defining feature of the piece, representing a fusion or transition between differing musical parts characterized by these numbers. In the tango, such shifts might evoke a tension or conversation between instruments, creating a dynamic interplay that is vibrant and evocative, a hallmark of Tango’s emotional expressiveness. The composition could thus be interpreted as a dialogue or a dance between opposing forces, captured through Aníbal Troilo’s mastery of melody and rhythm.


Aníbal Troilo and Tres y dos (3 y 2)


Aníbal Troilo, a legendary figure in the history of tango music, was renowned for his innovative compositions and emotive performances. “Tres y dos (3 y 2)” showcases his ability to imbue instrumental music with a narrative quality, making it not just a series of notes, but a story told through rhythm and melody. Created in 1946, this piece exemplifies Troilo’s signature style that seamlessly blends traditional tango elements with inventive musical ideas, capturing both the heart and complexity of the tango genre.