Fabrice Knecht Tango DJ
Style
Orchestra
Singer
Author
Composer
Date
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Loco is a Tango written by Luis Rubistein and composed by Niels Paulos.
“Loco” translates to “Crazy” in English, and the Tango, released in 1932, poignantly captures the devastating emotional turbulence and isolation resulting from past relationships. The lyrics introduce us to a protagonist burdened by the pain and betrayal experienced from deceiving lovers, which leads others to label him as insane or cowardly. He is neither understood nor sympathized with, instead condemned for his aversion towards women who appear to have once offered happiness but left only destruction in their wake.
The tango uses stark phrases like “Me han quemado el corazón” (They’ve burned my heart) to symbolically articulate deep emotional scars. Furthermore, the recurring exclamations “Loco…” emphasize the societal branding of madness thrust upon the protagonist, while “¡Necios!” (Fools!) underscores his contempt and rejection of those unable to fathom the depths of his pain. This passionate outcry not only illustrates his inner turmoil but also invites listeners to reflect on the ease with which society dismisses complex human emotions.
1932 Argentina was a period marked by economic difficulty and social upheaval, setting a poignant backdrop for “Loco”. This era was rife with personal and collective struggles, which may have influenced Rubistein’s raw depiction of hurt and societal misunderstanding. The tango, a dance born of lower-class immigrant communities and often imbued with themes of despair and resilience, aptly conveys the feelings of a man marginalized by his emotional responses to betrayal and pain – both personal and possibly reflecting wider cultural sentiments.
Luis Rubistein was an Argentine lyricist known for his contributions to the tango genre.