Fabrice Knecht Tango DJ
Fabrice Knecht Tango DJ
Style
Orchestra
Singer
Author
Composer
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Tango mio is a Tango written by Emilio Fresedo and composed by Osvaldo Fresedo.
“Tango mio” translates to “My Tango” in English, indicating a deep personal connection of the narrator with Tango, which is not just a dance but a cultural identity. This song narrates the emotions and memories stirred by the Tango when one is far from home. It touches on themes of nostalgia, longing, and identity, where Tango serves as a bridge linking the expatriate back to their roots in Argentina. Lines such as “when you remember your wanderings through those streets of God” evoke a vivid memory of familiar streets and a life left behind. The repeated references to ‘Corrientes’ – a vibrant street famous in Buenos Aires – underscore this sense of place and belonging.
In “Tango mio,” Tango itself is symbolized as a living entity that speaks directly to the heart, carrying with it pieces of the homeland. This metaphor of Tango as a lifeline to cultural roots highlights its significance far beyond a simple melody or dance. The line “Tango, you were a criminal by your cradle, yes, by your tongue, your heat, but you know how to dress. The whole world understood you!” reflects the journey of Tango from a local Argentinian dance to a global phenomenon, and despite its humble origins, it became universally recognized and adapted.
The year 1931 marked a significant era in Argentina and for Tango. It was a period characterized by political and economic changes, and culturally, Tango was evolving. From its marginal origins, it was becoming a global emblem of Argentine identity. This song, recorded in such a transformative epoch, reflects the persistent affection for and reliance on Tango by those who felt disconnected from their homeland – a common sentiment among the diaspora of that time. Lines such as “tango, my own, how many lives you see pass” suggest Tango as a constant observer and companion through various human experiences and historical moments.
Emilio Fresedo was an influential figure in the Tango scene, partnering with his brother Osvaldo Fresedo, who was a renowned bandoneon player and composer.