Soñar y nada mas by Francisco Canaro

Soñar y nada mas is a Tango written by [Author] and composed by Francisco Canaro.

Story behind the Tango Soñar y nada mas

“Soñar y nada mas” is a transcendent tango that lyrically explores the delicate balance between dreams and reality. Written in 1943, the piece epitomizes the idealism and romanticism that often define the tango genre, highlighting how dreams can serve as both an escape and a refuge from the harshness of reality. The lyrics urge the listener to cling to the dreams of love and joy, for the act of waking means confronting bitter truths.

Symbolism of Soñar y nada mas

The recurrent imagery of dreams signifies both hope and illusion, acting as a metaphor for the transient nature of love. Phrases such as “despertar es quebrar ilusiones” (waking is breaking illusions) and “soñar es vivir” (to dream is to live) suggest that dreams are essential to finding happiness, implying that reality is often devoid of the same magic. The act of dreaming is portrayed as a majestic flight, with references like “volar a las estrellas” (fly to the stars), enhancing the mystical allure and emotional depth of the desire to remain in a dream state.

Soñar y nada mas in historic Context

This tango breathes the essence of 1940s Buenos Aires, a time and place where tango was not just music but a living expression of the city’s soul. During this period, Argentina was undergoing significant political and social changes, and Buenos Aires was in the heart of these transformations. The tango became a romantic escape amidst these uncertainties, reflecting the people’s longing for stability and love. Composed by Francisco Canaro, a pivotal figure in tango music, the piece captures both the vibrancy and melancholy of the era.

Francisco Canaro

Francisco Canaro was a seminal figure in early 20th-century tango music, known for his prolific contributions and dynamic orchestras that helped cement tango’s place in the world’s musical landscape.