Siga el corso
Siga el corso is a Tango written by and composed by Anselmo Aíeta.
Story behind the Tango Siga el corso
The tango “Siga el corso” captures the vibrant and chaotic atmosphere of a Buenos Aires carnival, resonating with themes of mystery, longing, and the whimsical nature of human interactions. The lyrics create a lively scene where carnival participants, hidden behind masks and costumes, interact with one another in a blend of jest and earnestness. Central to this narrative is the idea of masquerade—both literal and metaphorical—as people not only hide their identities with masks but also shield their true emotions, adding layers of complexity to their interactions.
Symbolism of Siga el corso
The song is rich with symbolism, primarily centered around the carnival theme. The use of terms like “Colombina,” “marquesa,” and “clown” evoke traditional commedia dell’arte characters, adding a theatrical layer to the festivities, where societal roles are upended. The “serpentina,” or streamer, serves as a metaphor for the fleeting, winding paths of life and love, connecting people in unexpected ways. The recurring imagery of masks symbolizes both a protective guise and an invitation to explore deeper identities beneath superficial appearances.
Key phrases like “Esa Colombina puso en sus ojeras humo de la hoguera de su corazón” suggest a yearning, a burning passion reflected in her gaze, while “Sacate el antifaz! Te quiero conocer” speaks to the universal desire to see and be seen, to connect beyond facades.
Siga el corso in historic Context
“Siga el corso” is steeped in the cultural and social landscape of Buenos Aires in 1944, a period marked by political turbulence and cultural vibrancy in Argentina. The city’s carnival traditions provided a space for temporary liberation from societal norms, encouraging people to explore their identities and desires more freely. Tango, as a popular musical genre, was at the heart of Buenos Aires’ cultural expression, reflecting the city’s dynamic character and the complexities of its immigrant influences.
The setting in Buenos Aires, specifically the image of the carnival on the streets, is significant. The city’s neighborhoods (“barrios”) were known for their distinct cultural flavors and their penchant for vibrant celebrations. The mention of these events, as depicted in “Siga el corso,” would resonate deeply with locals familiar with the carnival’s joyful chaos and its capacity for temporary escapism.
About Anselmo Aíeta
Anselmo Aíeta was a notable composer of traditional tango music in Argentina, contributing significantly to the genre’s development with his vibrant and melodious compositions. His works often reflected the lively and complex cultural tapestry of Buenos Aires.
