Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Si soy así is a Tango written by Antonio Botta and composed by Francisco Lomuto.
“Si soy así” which translates to “If I am like this, what can I do?” in English, captures the essence of a charming yet ruefully unfaithful protagonist. The lyrics deliver a frank confession of the singer’s inability to remain loyal, driven by an innate attraction to women and a vivacious spirit. The protagonist portrays himself as being designed for love and admiring beauty, using his appearance and charm as supposed justifications for his behavior. This tango, with its light-hearted and self-aware tone, reflects the dual nature of acknowledging one’s flaws while also reveling in them.
In “Si soy así,” Antonio Botta uses vivid imagery and symbolic language to enhance the storytelling. The line “Tengo una esponja donde el cuore hay que tener,” meaning “I have a sponge where the heart should be,” poetically illustrates his emotional detachment and resilience, suggesting how he absorbs and then sheds emotional experiences like water. The reference to “polleras,” which means skirts, and the varied types of women, from widows to singles, symbolizes the indiscriminate attraction he feels towards women, viewing them all as fruit from “the tree of love.” Such imagery paints a vivid picture of a man swept up by his desires, unable to anchor himself to a single love interest.
Recorded in 1933, during an era characterized by profound social and cultural shifts in Argentina, “Si soy así” reflects some of the hedonistic attitudes prevalent in post-World War I society, where traditional values were often questioned. Tango during this period was a powerful expression of everyday life’s struggles, passions, and changes. This tango, with its themes of romantic restlessness and personal admission, mirrors the turbulent and evolving landscape of the Argentine identity and social norms of its time. The light-hearted confession of infidelity and the portrayal of a jovial womanizer speak to a broader narrative of escapism and the complexities of romantic relationships in early 20th-century Buenos Aires.
Antonio Botta was a prolific lyricist in the Argentine tango scene, known for his ability to weave complex emotions into simple, relatable verses.