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Rosa Morena (Abuelita Dominga)

Rosa Morena (Abuelita Dominga) is a Milonga written by Enrique Maciel and recorded by Carlos di Sarli in 1942. The Milonga Rosa Morena (Abuelita Dominga) is written by Enrique Maciel, Carlos di Sarli has recorded Rosa Morena (Abuelita Dominga) with the singer Roberto Rufino.
“Rosa Morena (Abuelita Dominga)” translates to “Dusky Rose (Grandmother Dominga)” in English. This evocative title summons the image of a grandmother whose warmth and wisdom bloom like a rose at sunset. It speaks of tradition, family, and the enduring beauty found in the tapestry of life’s tender moments, much like a cherished melody.

Milonga

Style

Carlos di Sarli

Orchestra

Roberto Rufino

Singer

Héctor Pedro Blomberg

Author

Enrique Maciel

Composer

1942/5/26

Date

Roberto Rufino
Roberto Rufino
Carlos di Sarli
Carlos di Sarli

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Lyrics Translation of the Milonga Rosa Morena (Abuelita Dominga)

This is the translation of the Milonga “Rosa Morena (Abuelita Dominga)” from Spanish to English. The English lyrics of the Milonga “Rosa Morena (Abuelita Dominga)” have been done with AI.

Letra del Milonga Rosa Morena (Abuelita Dominga)

Abuelita Dominga era muy vieja
y vivía en el barrio de los candombes.
Del carnaval de Rosas no se olvidaba
al cantar esta copla roja de amores:

Rosa morena,
de la estrella federal,
yo se que tu alma está llena
de un pasión que es mortal.
Rosa morena,
todos la vieron pasar,
en su garganta morena
sangraba un rojo collar.

Abuelita Dominga siempre lloraba
al recordar la historia de amor y sangre.
Y me dio esta guitarra para que un día,
la cante como nunca la cantó nadie.

Rosa morena,
muerta en los cercos en flor
la vio una noche serena
todo el Barrio del Tambor.
Rosa perdida
aún dice el viejo cantar
que le quitaron la vida
porque quiso traicionar.

English lyrics of the Milonga "Rosa Morena (Abuelita Dominga)"

Granny Dominga was very old
and lived in the neighborhood of candombes.
She didn’t forget Rosas’ carnival
when she sang this fiery love ditty:

Dark-skinned Rosa,
of the federal star,
I know your soul is filled
with a passion that is fatal.
Dark-skinned Rosa,
everyone saw her walk by,
on her dark throat
a red necklace bled.

Granny Dominga always wept
remembering the story of love and blood.
And she gave me this guitar for one day,
to sing it as no one ever sang it.

Dark-skinned Rosa,
dead in the blooming hedges
a serene night saw her
throughout the Barrio del Tambor.
Lost Rosa,
the old song still says
they took her life
because she wanted to betray.

Rosa Morena (Abuelita Dominga) by Enrique Maciel

Rosa Morena (Abuelita Dominga) is a Tango written by and composed by Enrique Maciel.

Story behind the Tango Rosa Morena (Abuelita Dominga)

“Rosa Morena (Abuelita Dominga)” is a haunting narrative of love, betrayal, and legacy. The song introduces us to Abuelita Dominga, an elderly woman residing in a neighborhood known for its cultural vibrancy and tradition, possibly tied to Afro-Argentine roots like the candombe. Her memories of the carnival and the tragic love story of Rosa Morena fill the lyrics with both nostalgia and sorrow. The old woman passes down her emotions through a guitar, encouraging a deeply emotional retelling of the tale that intertwines love and blood, indicating a story filled with intense passion and fatal betrayal.

Symbolism of Rosa Morena (Abuelita Dominga)

The song is rich with symbolism, starting with “Rosa Morena,” whose name itself suggests passion (“Rosa” meaning rose, often a symbol of love) but also a darker complexity with “Morena” signifying her darker complexion and perhaps a connection to a marginalized community. The “estrella federal” or federal star symbolizes hope and aspiration, while a “rojo collar” bleeding from her throat serves as a chilling visualization of her fatal betrayal, blending beauty with violence. Key phrases like “todos la vieron pasar” capture both admiration and the inevitability of her fate. These elements together create a tableau of deep, visceral emotion bound tightly with the community’s historical memories.

Rosa Morena (Abuelita Dominga) in historic Context

The tango was created in 1942, a time when Buenos Aires was a melting pot of cultures, with tango itself being a critical cultural expression for the immigrants and working-class neighborhoods. The barrio “de los candombes” and “El Barrio del Tambor” likely refer to areas with strong Afro-Argentine communities, where the candombe—a traditional dance and music form—flourished. This background gives the song its texture of strife and resilience, set against a socio-historical backdrop where themes of love, death, and societal struggles were common in artistic expression. It highlights a bitter memory of betrayal amidst the backdrop of a vibrant but often marginalized community.

Enrique Maciel

Enrique Maciel was an influential Argentinian composer known for his contributions to tango and folk music. His works often reflect the complexities of Argentine culture and society.