Fabrice Knecht Tango DJ

Responso

Responso is a Tango written by Aníbal Troilo and recorded by Aníbal Troilo in 1963. Aníbal Troilo has recorded Responso as an instrumental Tango.
“Responso” translates to “Response” in English. This evocative title hints at a dialogue, perhaps between the melodies of the instruments and the heart of the listener. It is a conversation without words, where every note serves as a whisper of reflection, calling forth memories and emotions that linger in the silent spaces between sound.

Tango

Style

Aníbal Troilo

Orchestra

Instrumental

Singer

Author

Aníbal Troilo

Composer

1963/4/5

Date

Instrumental
Instrumental
Aníbal Troilo
Aníbal Troilo

Discover Other Orchestras

Astor Piazzolla – Sólo se quiere una vez – 1946/9/2
Astor Piazzolla – El recodo – 1946/9/2
Astor Piazzolla – Adiós Nonino – 1987/1/1
Astor Piazzolla – En la huella del adiós – 1947/5/26
Astor Piazzolla – Boedo – 1957/1/1
LOS SEÑORES DEL TANGO – Milonguero viejo – 1962/10/8
Juan MAGLIO – Milonguero viejo – 1928/4/2
Francisco Rotundo – Mal de amores – 1956/5/22
Francisco Rotundo – Yo soy aquel muchacho – 1955/6/9
Francisco Rotundo – Bandoneón arrabalero – 1950/8/18
Francisco Rotundo – Una copa nada más – 1949/1/1
Francisco Rotundo – Un infierno – 1953/12/14

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Responso recorded by other Orchestras

Responso recorded by other Orchestras

1963/4/5 – Lo que vendra – Anibal Troilo
1963/4/5 – Recordando a Discepolo – Anibal Troilo
1963/4/9 – A mis viejos – Anibal Troilo
1963/4/9 – La cumparsita – Anibal Troilo
1963/4/9 – Tierrita – Anibal Troilo
Responso – (unknown date) – Anibal Troilo – Instrumental
Responso – 1963/4/5 – Anibal Troilo – Instrumental

Responso recorded by Aníbal Troilo

Responso is an instrumental Tango composed by Aníbal Troilo.

Interpretation of Responso

“Responso,” meaning “response” in English, evokes deep emotional reflections through its intricate melodies and harmonies. As an instrumental piece, it can be interpreted as a musical dialogue, a contemplative conversation expressed through the sounds and rhythms characteristic of tango. The orchestrations likely ebb and flow with an emotional tension, reminiscent of a poignant reply to an unspoken question or a solemn conversation between old friends. The melancholic yet hopeful strains of the bandoneón, a signature instrument in tango, provide a poignant backdrop for this reflective response. The piece embodies both a sense of mourning and an acceptance, capturing the essence of a requiem answered with grace and depth.

Aníbal Troilo and Responso

Aníbal Troilo, revered for his mastery of the bandoneón and contribution to the tango genre, recorded “Responso” with his orchestra on April 5, 1963. In this composition, Troilo’s artistry shines as he weaves a tapestry of sound that resonates with listeners, conveying intricate emotions through an unspoken narrative. “Responso” stands as a testament to Troilo’s profound understanding of music’s emotional power, as he skillfully articulates the intangible through this expressive tango instrumental.