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Quiero papita

Quiero papita is a Tango written by Ernesto Ponzio and recorded by Héctor Varela in 1959. Héctor Varela has recorded Quiero papita as an instrumental Tango.
“Quiero papita,” which translates to “I want a little potato,” is a charming reflection on life’s simple cravings and comforts. The title evokes the innocence of childhood desires, a longing for something modest yet fulfilling. It is a playful metaphor, suggesting the joy found in the unpretentious things that warm our hearts and bring us together.

Tango

Style

Héctor Varela

Orchestra

Instrumental

Singer

María Luisa Carnelli

Author

Ernesto Ponzio

Composer

1959/9/16

Date

Instrumental
Instrumental
Héctor Varela
Héctor Varela

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Quiero papita recorded by other Orchestras

Quiero papita recorded by other Orchestras

Letra del Tango Quiero papita

Yo soy un gil, quién me mandó

Tener mujer,

Lugar pa´ dos y no poder,

Tirarme un par de lindos mangos,

A la marchanta

Si es mi placer.



Me liquidó, en la verdad

El metejón,

La vi y caí y el “refalón”,

Fue de ritual como en los tangos,

Pero esta vuelta

Palmó el gavión.



Que vidalita

Con dona,

Sin vento

Y oyendo el cuento…

Yo quiero papita.



Todos los días la misma milonga…



Dame dinero, pasame la guita

A vos te lo digo, no te hagas el zonzo.

Que hay que parar el puchero

Papita, papita, que quiero morfar.



Hoy quien me ve

No puede creer

Lo que antes fui,

Gran tallador

Buen bailarín,

Libre y feliz, muchacho rana

Con larga fama de malandrín.



Quien me mandó

Querer mujer,

Hay que yugar

Todito el mes. Y amarrocar,

Para escuchar, papita quiero

Pará el puchero, que hay que morfar.

English lyrics of the Tango "Quiero papita"

I’m a fool, who asked me to

Have a woman,

Space for two yet struggling,

To throw a couple of nice bucks,

Impulsively,

If I’m pleased.

She completely wrecked, in truth,

The infatuation,

I saw her and fell, and the “slip”,

Was typical as in tangos,

But this time,

The fool lost out.

Such a tough life,

With a dame,

Without cash,

And hearing stories…

I want the good life.

Every day it’s the same routine…

“Give me money, hand over the cash.

I’m talking to you, don’t play dumb.

We need to keep the stew going,

Good life, good life, I want to eat.”

Today anyone who sees me

Can’t believe

What I once was,

A great carver

A good dancer,

Free and happy, a flirtatious lad

With a long reputation as a troublemaker.

Who asked me

To want a woman,

You have to toil

All month long. And save up,

Just to hear, I want the good life,

Stop the stew, we need to eat.

Quiero papita by María Luisa Carnelli

Quiero papita is a Tango written by María Luisa Carnelli and composed by Ernesto Ponzio.



Story behind the Tango Quiero papita

The tango “Quiero papita” depicts an individual torn between nostalgia for his freely wandering days and his current domestic life, bound by the responsibilities of marriage. This choice created bitterness for the protagonist, who now finds himself begging for basic needs like money, despite once being independent and carefree. Through its lines, the tune captures the man’s inner regret and longing for his lost youth, highlighting the stark contrast between his past and present.



Symbolism of Quiero papita

“Quiero papita,” translated to “I want small potatoes,” is a colloquial phrase used to denote a desire for something small but essential, very much like everyday needs or simple pleasures. The repeated plea for “papita” underscores the protagonist’s ongoing struggle with the limitations of his economic situation, symbolizing the broader human condition of adapting desires to align with one’s changing circumstances. Each mentioning of money and survival (“Dame dinero, pasame la guita”) paints a vivid picture of basic sustenance transcending the formerly carefree lifestyle.



Quiero papita in historic Context

Written in 1959, “Quiero papita” emerged during a period of considerable social and economic change in Argentina, a country cyclically affected by economic downturns. The humorous, yet poignant, lyrics may reflect the economic hardships faced by many Argentinians during this time. Furthermore, tango itself has roots in the lower classes of Buenos Aires, often discussing themes of loss, nostalgia, and the struggles of everyday life, which are evident in Carnelli’s lament about the burdens imposed by family responsibilities and diminished financial freedom.



María Luisa Carnelli

María Luisa Carnelli was a noted Argentine lyricist and poet, recognized for her contributions to the Tangueros genre in mid-20th century Argentina.