Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Quereme un poquito is a Tango written by Pedro Fernández Sagardi and composed by Mario Rafaelli.
The lyrics of “Quereme un poquito” portray a deep, unrequited love where the narrator pleads for affection from an indifferent beloved. The recurring phrase “Quereme un poquito” directly translates to “Love me a little,” emphasizing the humble plea for just a small amount of love and attention. The intensity of the speaker’s feelings contrasts powerfully with the minimal acknowledgment they seek, highlighting a poignant narrative of longing and emotional pain.
The repetition of “Quereme un poquito” symbolizes not only a plea but also a chant of hope and despair intertwined. This repetition serves as a heartbeat to the song’s structure, echoing the persistent, aching desire of the speaker. The phrases “Mirá como tiemblan mi alma y mi voz” (Look how my soul and my voice tremble) and “Estoy tan solito que vivo angustiado” (I am so alone that I live in anguish) poignant symbolize the vulnerability and profound isolation felt by the speaker, conveying the physical and emotional impact of their unreturned love.
Recorded in 1959, “Quereme un poquito” was created in a post-war Argentina, a period marked by political and social change, potentially reflecting the personal turmoils and broader societal shifts of the era. This tango, like many others, might mirror the collective sentiment of a community or individual struggling with loss, change, and the yearning for something or someone to ameliorate their reality. The tango’s emotive pull likely resonated strongly with an audience facing their own trials, using the music and lyrics as a form of emotional expression and solace.
Pedro Fernández Sagardi was an influential lyricist whose works often captured the profound human emotions and social nuances of his time.