Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Qué ironía (Ironía) is a Tango written by Manuel Barros and composed by Raúl Ledesma.
This tango tells the heart-wrenching story of a love affair marred by deceit and unfulfilled yearnings. The poignant narrative unfolds through the dual lives of lovers secretly meeting beyond the eyes of their unsuspecting partners. Barros skillfully uses contrast between the cold reality of their situations and the warmth of their illicit meetings to intensify the emotional resonance. The term “irony or Qué ironía” further amplifies the tragic realization that their love can never be more than mere stolen moments.
Symbolism plays a profound role in enhancing the depth of this tango. The repetitive use of ‘la noche’ (the night) symbolizes the hidden and forbidden nature of their relationship, whereas the ‘hoguera de ruinas’ (bonfire of ruins) exemplifies the destructive aftermath of their love. Central to the song is the phrase “Ironía… De saber que nunca mía Sólo mía podrás ser” which translates to the lament of knowing that she will never fully be his alone. This encapsulates the crux of their dilemma—love that is deep yet divided, a sentiment further echoed in the juxtaposition of ‘junto a quien nos da calor’ (next to whom gives us warmth) and ‘sentir la noche fría’ (feeling the cold night).
Recorded in 1958, a period marked by significant social transformations in Argentina, this tango might subtly reflect the complexities of relationships during a time when societal norms were stringent. The lovers’ clandestine encounters could reflect the rebellion against conventional moralities, possibly mirroring the societal shifts happening in Argentina during that era.
Manuel Barros is recognized for his contributions to Argentine tango, with compositions that often delve into themes of love, irony, and societal reflections.