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Azabache

Azabache is a Milonga written by Enrique Francini and recorded by Francini-Pontier in 1954. The Milonga Azabache is written by Enrique Francini, Francini-Pontier has recorded Azabache with the singer Pablo Moreno.
“Azabache,” meaning “jet” in English, is a name that evokes the deep, lustrous black of its namesake stone. The music, much like the color, is a dance of shadows and light, weaving mystery and elegance into every note. It encapsulates the essence of midnight skies, where passion and drama unfold with every soulful strum and heartfelt whisper.

Milonga

Style

Francini-Pontier

Orchestra

Pablo Moreno

Singer

Homero Expósito

Author

Enrique Francini

Composer

1954/4/8

Date

Pablo Moreno
Pablo Moreno
Francini-Pontier
Francini-Pontier

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Azabache recorded by other Orchestras

Azabache recorded by other Orchestras

Lyrics Translation of the Milonga Azabache

This is the translation of the Milonga “Azabache” from Spanish to English. The English lyrics of the Milonga “Azabache” have been done with AI.

Letra del Milonga Azabache

¡Candombe! ¡Candombe negro!

¡Nostalgia de Buenos Aires

por las calles de San Telmo

viene moviendo la calle!



¡Retumba con sangre y tumba

tarumba de tumba y sangre!…

Grito esclavo del recuerdo

de la vieja Buenos Aires…

¡Oh… oh… oh!…

¡Oh… oh… oh!…



¡Ay, morenita, tus ojos

son como luz de azabache!…

Tu cala palece un sueño

¡un sueño de chocolate!…



¡Ay, tus cadelas que tiemblan

que tiemblan como los palches!…

¡Ay, molenita, quisiela…

quisiela podel besalte!…

¡Oh… oh… oh!…

¡Oh… oh… oh!…



¡Candombe! ¡Candombe negro!

¡Dolor que calienta el aire!

¡Por las calles del olvido

se entretuvieron tus ayes!…



¡Retumba con sangre y tumba

tarumba de tumba y sangre!…

Y se pierde en los recuerdos

de la vieja Buenos Aires…

¡Oh… oh… oh!…

¡Oh… oh… oh!…



¡Candombe! ¡Candombe negro!

Nostalgia de gente pobre…

Por las calles de San Telmo

ya se ha perdido el candombe…

¡Oh… oh… oh!…

¡Oh… oh… oh!…

English lyrics of the Milonga "Azabache"

Candombe! Candombe Negro!

Nostalgia for Buenos Aires
on the streets of San Telmo
it stirs the very pavement!

It reverberates with blood and death
a madness of grave and blood!…
A slave’s cry from the memory
of old Buenos Aires…
Oh… oh… oh!…
Oh… oh… oh!…

Oh, dark beauty, your eyes
shine like jet black light!…
Your gait is like a dream
a dream of chocolate!…

Oh, your hips that tremble
tremble like the patches!…
Oh, dark beauty, I wish…
I wish I could kiss you!…
Oh… oh… oh!…
Oh… oh… oh!…

Candombe! Candombe Negro!
Pain that warms the air!
Through the streets of oblivion
your sighs lingered!…

It reverberates with blood and death
a madness of grave and blood!…
And it fades into the memories
of old Buenos Aires…
Oh… oh… oh!…
Oh… oh… oh!…

Candombe! Candombe Negro!
Nostalgia of the poor…
Through the streets of San Telmo
the candombe has vanished…
Oh… oh… oh!…
Oh… oh… oh!…

Azabache by Homero Expósito

Azabache is a Tango written by Homero Expósito and composed by Enrique Francini.


Story behind the Tango Azabache

The lyrics of “Azabache” evoke a vivid narrative set within the historical San Telmo neighborhood of Buenos Aires. This tango song captures the echoes of African candombe rhythms that pervade the streets, symbolizing a blend of nostalgia and cultural memory. The recurrence of the phrase “¡Candombe! ¡Candombe negro!” ties the piece to African influences in Argentinian culture, which include the tragic legacy of slavery but also the resilient spirit of the African community. This song brings alive a Buenos Aires rich in its historic layers, where the past permeates the present.


Symbolism of Azabache

The word “Azabache,” referring to a type of hard, dark, lustrous coal used in jewelry making, symbolically describes the deep, gleaming black eyes of a “morenita,” a term of endearment for a woman with darker skin. This imagery conjures a potent symbol of beauty and strength amidst adversity. The comparison of her lips to “chocolate” and the repetitive correlation of sound and fury in “Retumba con sangre y tumba” (it rumbles with blood and tomb) deeply connect the song’s narrative to themes of passion, suffering, and the haunting persistence of memory.


Azabache in historic Context

The song “Azabache” was released in 1954, a period during which Argentina was marked by significant social and political changes. This post-World War II era was one of introspection and cultural rediscovery for many Argentinians. The lyrics, focusing on the historical and cultural milieu of the San Telmo district, a place known for its colonial buildings and cobbled streets, echo a nostalgic yearning for an authentic past that includes the often-overlooked African influences in Argentine culture. San Telmo itself, notorious for its vibrant antique markets and tango parlours, serves as a backdrop that enhances the song’s evocation of a time when African rhythms contributed significantly to the cultural tapestry of Buenos Aires.


Homero Expósito

Homero Expósito was a renowned Argentine lyricist and poet, especially famous for his contributions to the tango genre. His works are celebrated for their profound emotional depth and complex imagery.