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Preparate pa’l domingo

Preparate pa’l domingo is a Tango written by Guillermo Barbieri and recorded by Edgardo Donato in 1952. The Tango Preparate pa’l domingo is written by Guillermo Barbieri, Edgardo Donato has recorded Preparate pa’l domingo with the singer Carlos Almada.
“Preparate pa’l domingo,” translated as “Get Ready for Sunday,” is a call to embrace the promise and vibrancy of the upcoming day. It hints at the anticipation of joyous gatherings and vibrant celebrations that Sundays often bring. This musical piece captures the spirited preparation, the subtle excitement, and the shared moments of warmth and connection that Sundays embody.

Tango

Style

Edgardo Donato

Orchestra

Carlos Almada

Singer

José Rial

Author

Guillermo Barbieri

Composer

1952/1/18

Date

Carlos Almada
Carlos Almada
Edgardo Donato
Edgardo Donato

Discover Other Orchestras

Francini-Pontier – Alergia – 1949/2/3
Francini-Pontier – El apache argentino – 1949/1/28
Francini-Pontier – Un alma buena – 1952/2/6
Francini-Pontier – La yumba – 1947/3/5
Francini-Pontier – Viejo smoking – 1952/12/12
Aníbal Troilo – La calesita – 1958/6/6
Aníbal Troilo – Volver – 1970/8/13
Aníbal Troilo – Milonga del mayoral – (unknown date)
Aníbal Troilo – La bordona – 1958/6/6
Aníbal Troilo – Aquel tapado de armiño – 1958/12/23
Ángel d’Agostino – Llora vida mia – 1942/11/17
Ángel d’Agostino – Ninguna – 1942/12/30
Ángel d’Agostino – Gerardo Matos Rodriguez – 1962/1/1
Ángel d’Agostino – Adios para siempre – 1942/3/16
Ángel d’Agostino – Oiga mozo – 1942/10/29
Orquesta Símbolo Osmar Maderna – Yo te bendigo – 1959/8/18
Orquesta Símbolo Osmar Maderna – Escalas en azul – 1959/6/17
Orquesta Símbolo Osmar Maderna – Brindis para la navidad – 1960/10/14
Orquesta Símbolo Osmar Maderna – Merceditas – 1958/9/23
Orquesta Símbolo Osmar Maderna – Papá Baltasar – 1960/10/14

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Preparate pa'l domingo recorded by other Orchestras

Preparate pa’l domingo recorded by other Orchestras

1952/1/18 – Rosa pelegrina
Lupe – Lucio Demare
1952/1/18 – Manana zarpa un barco
Dandy – Lucio Demare
1952/1/18 – El acomodo – Edgardo Donato
1952/1/18 – Pensa lo que has hecho – Edgardo Donato
1952/1/23 – A mis amores – Francini-Pontier
Preparate pa-l domingo – 1952/1/18 – Edgardo Donato – Carlos Almada
Preparate pa-l domingo – 1979/6/5 – Armando Pontier – Roberto Goyeneche

Lyrics Translation of the Tango Preparate pa'l domingo

This is the translation of the Tango “Preparate pa’l domingo” from Spanish to English. The English lyrics of the Tango “Preparate pa’l domingo” have been done with AI.

Letra del Tango Preparate pa'l domingo

Preparáte pa’l domingo si querés cortar tu yeta;
tengo una rumbiada papa que pagará gran sport.
Me asegura mi dateró que lo corre un buen muñeca
y que paga, por lo menos, treinta y siete a ganador.
Vos no hagás correr el yeite, atenéte a mis informes;
dejá que opinen contrario

English lyrics of the Tango "Preparate pa'l domingo"

Get ready for Sunday if you want to change your luck;
I have a major tip for you that will pay off big sport.
My informer assures me it’s run by a good hand,
and that it pays, at least, thirty-seven to the winner.
Don’t send your luck running, stick to my news;
let the others argue, cheer, and scream.
Hold your ground and don’t waver,
you’ll see how the number darts past the post.

Preparate pa’l domingo by José Rial

Preparate pa’l domingo is a Tango written by José Rial and composed by Guillermo Barbieri.

Story behind the Tango Preparate pa’l domingo

The tango “Preparate pa’l domingo” translates to “Get Ready for Sunday” in English, suggesting a theme centered around anticipation and preparation for a significant event expected to occur on Sunday. The lyrics speak to a hopeful scenario involving a horse race, where the singer advises a friend to trust in a tip about a promising horse expected to deliver a winning performance. This narrative taps into feelings of hope and excitement, typical in the environments of gambling and sports.

Symbolism of Preparate pa’l domingo

The song uses rich symbols representing good fortune and insider knowledge. Phrases like “cortar tu yeta,” loosely translated as “ending your bad luck,” and advice about relying on trustworthy “informes” or reports, indicate the deeply felt superstitions and strategies ingrained in racing culture. The focus on horse racing as a symbol of fortune and the cyclical nature of luck—its loss and gain—are emblematic of broader societal hopes and dreams of success and the desire for a reversal of fortunes.

Preparate pa’l domingo in historic Context

Created in 1952, a period marked by significant political and social transformations in Argentina, “Preparate pa’l domingo” reflects a popular culture coping with uncertainty through the escapism offered by sports such as horse racing. During this era, locales like Buenos Aires were pulsating with the energies of both traditional and emerging forms of leisure, and tango music often encapsulated the zeitgeist of the common man’s joys and struggles. This piece, with its light-hearted take on gambling, offers an insight into the weekly routines that might offer relief from the everyday labor and political distress.

José Rial

José Rial was an influential figure in the Tango genre, known for his lyrical creativity and deep connection with Argentine culture.