Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Penumbras (2) is a Tango written by Alfredo Faustino Roldán and composed by Pedro Toscano.
The lyrics of “Penumbras (2)” paint a vivid picture of a neighborhood where everyday and natural elements blend with deep personal emotion. The mention of frogs and crickets making music, a street lamp illuminating flowers on an old balcony, and a cart driver singing his remorseful love story exemplify a typical evening scene in a local barrio. This scenery sets the stage for a nostalgic and melancholy reflection on unrequited love and emotional suffering.
Key phrases such as “las sombras repiten su canto” (the shadows repeat his song) and “cerrando la ventana” (closing the window) symbolize the recurring and unresolved nature of the singer’s emotional pain and the lover’s inaccessibility, respectively. The imagery of “negrura intensa de sus lindas trenzas” (the intense blackness of her lovely braids) when describing the woman highlights a merging of physical allure and profound, dark emotion, further deepening the sense of yearning and loss.
Recorded in 1951 in Argentina, “Penumbras (2)” stems from a period when tango music often reflected societal sentiments and personal stories through its profound lyrical content and melancholic melodies. This era in Argentine history was marked by political and social changes, influencing tango to be an outlet for expressing personal strife and societal issues. The use of everyday imagery paired with themes of love and heartache resonates with the nostalgia and coping mechanisms that were prevalent among people during those times.
Alfredo Faustino Roldán was an influential lyricist in the tango genre, known for intertwining complex emotions with relatable imagery to evoke deep responses from the listener.